Richard Hartley

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The Shepherd and the Bear review – two endangered species scrap for survival in the Pyrenees

Farmers oppose the reintroduction of brown bears in Max Keegan’s immersive and beautiful documentary that resists snap judgments

Washington Post owner Jeff Bezos stays silent as employees brace for cuts

Bezos has not publicly responded to several letters sent by Post staffers urging him to curb potential layoffs

‘I was still black the next morning’: Halle Berry says Oscar win didn’t change her career

The actor says her historic 2002 best actress Oscar did not open doors in Hollywood, as studios remained wary of stories led by black performers

‘It’s a fun cocktail!’: the Wooster Group’s head-spinning blend of high and low art

In wonderfully bewildering shows, New York’s venerable avant garde theatre company mash together everything from baroque opera to sci-fi B-movies. Their next trick? A seance-style tribute to an old friend

Frontier Crucible review – Armie Hammer makes cautious acting return in talky, slow-burn western

A cast of handsome dudes, some beautiful scenery and violence reminiscent of 2015’s Bone Tomahawk make this a watchable, if plodding, ride

It’s the Hollywood sensation we’re all enjoying: ageing cinema megastars lured to a TV screen near you

The stars get big audiences and complex characters to develop. We’ve lucked out in this golden age of streaming shows, and so have they, says arts writer Fiona Sturges

Elon Musk merges SpaceX with xAI at $1.25tn valuation

Aerospace business and artificial intelligence firm to unite for IPO as world’s most valuable private company

Sham review – Takashi Miike revisits infamous ‘murder teacher’ trial in unflinching courtroom drama

Based on a real-life case of a teacher charged with abusing a child, Japan’s master of the extreme doesn’t sit on the fence in this two-sided retelling

‘Deepfakes spreading and more AI companions’: seven takeaways from the latest artificial intelligence safety report

Annual review highlights growing capabilities of AI models, while examining issues from cyber-attacks to job disruption

Melania: Amazon’s $106m documentary takes $982 per screen in Australian opening weekend

Documentary about the US first lady debuted at No 31 at Australian box office, making $32,399 from 33 screens

Palantir beats Wall Street expectations amid Trump immigration crackdown

CEO Alex Karp hails ‘iconic’ financial results despite criticism over contracts with ICE and homeland security

Barnsley rebranded UK’s first ‘tech town’ as US giants join AI push

Minister announces Microsoft, Cisco and Adobe to help apply AI to local schools, hospitals, GPs and businesses

Roman Polanski rape scandal movie to follow perspective of 13-year-old victim

The Girl, based on Samantha Geimer’s memoir, will revisit ‘one of Hollywood’s most notorious scandals through the eyes of the person most misrepresented by it’

One win after another: Paul Thomas Anderson film dominates London Critics’ Circle awards

Counterculture comedy One Battle After Another wins four awards, including best picture, director, screenplay and supporting actor for Sean Penn

The Fall of Sir Douglas Weatherford review – Peter Mullan gives weight to quirky Scottish dramedy

The formidable Mullan delivers a tender performance in Sean Robert Dunn’s first feature, playing a cranky local historian obsessed with his obscure, unscrupulous ancestor

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Big shake-up in Google’s AI team as DeepMind chief executive steps down
  • ‘Disturbing’: TikTok faces criticism after Perez Hilton livestreams self-harm
  • AI models have been going rogue in tests – how worried should we be?
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past
  • One Night Only review – sex is legal for 12 hours a year in bizarre romcom
  • AI models shock UK testers by using fake identities to try to trick developers
  • Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
  • Darth Vader to become a TikTok star as Disney strikes deal on short video
  • ‘Leicester Square, please guv’: Self-driving taxis cleared for London streets ‘later this summer’
  • Film posters for The Mummy banned from public display in UK
  • Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
  • A Child of My Own review – barely believable true crime tale of desperation and delusion
  • Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
  • Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
  • ‘If we don’t fight back, we don’t have a future’: the journalist taking on the ‘tech fascists’ of Silicon Valley
  • Paw Patrol: The Dino Movie review – plucky pups do their thing on Jurassic-style island
  • Democracy is at stake when foolish humans bet on machines being intelligent
  • Queens of the Dead review – drag performers slay on the party scene in playful zombie comedy
  • Palantir paid just £2m corporation tax in UK in 2024 despite lucrative public sector contracts
  • SpaceX beats revenue expectations in first earnings report after IPO crash
  • AI-generated stories rated better quality than human-written ones, study finds
  • Big Chicken: A Fast Food Conspiracy review – Mo Gilligan ruffles feathers in battle against ultra-processed foods
  • Trump administration reportedly drafting ban on Chinese datacenter components
  • Tell us: has Christopher Nolan’s The Odyssey stoked your interest in classics and poetry?
  • Elon Musk’s X latest to block Saudi dissident accounts inside kingdom
  • Christopher Nolan’s The Odyssey gives UK poetry sales an epic boost
  • Star Wars dubbed into Welsh for first time for S4C broadcast
  • The best microwaves in the UK for every kitchen and budget – tested
  • Google Earth’s potential disinformation nightmare
  • Lucky Strike review – likably manly Scott Eastwood fights his way home in second world war yarn

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