Cannes celebrates the movie mavericks

Four films from directors who have consistently gone against Hollywood's grain premiered at the festival last week, a sign that the outsider can still thrive in cinema

Online titans who see a rosy future… in our love for nostalgia

Is Yahoo's $1bn purchase of Tumblr just the latest proof that internet giants eventually run out of ideas, asks John Naughton

Something in the Air – review

Olivier Assayas looks back at the days following the events of May 1968 – and at his own youth – with a delicate wit, says Philip French

How wealth of Silicon Valley’s tech elite created a world apart

Private shuttles taking workers to and from Google, Apple, Facebook and Twitter in San Francisco are becoming symbols for alienation and division as residents struggle with crowded municipal bus services and poor facilities

The Hangover Part III – review

The third outing for this bad-taste comedy has its moments but smacks of desperation, writes Philip French

The Big Wedding – review

A group of unpleasant characters lie to keep the peace in this lame comedy, writes Philip French

Grave of the Fireflies – review

Studio Ghibli's rereleased tale of a boy caring for his little sister in wartime Tokyo is deeply moving, writes Philip French

The King of Marvin Gardens – review

A young Jack Nicholson plays a DJ lured to a depressed Atlantic City in this rarely revived flawed masterpiece, writes Philip French

Call of Duty: Ghosts – preview

The latest instalment of Call of Duty is vital to the success of Microsoft's new Xbox One. Giles Richards talks to the man in charge of delivering it, Eric Hirshberg

Rewind Radio: 99% Invisible

US public service radio, available in Britain via internet podcasts, makes some of our homegrown documentaries seem juvenile, writes Miranda Sawyer

Cannes 2013: Only Lovers Left Alive a seven year trek says Jim Jarmusch

Andrew Pulver: Director says vampire film featuring Tilda Swinton faced long struggle for funding in difficult financial climate before arriving at Cannes

Bérénice Bejo: ‘The Artist was a gift. But I thought I was really good’

The Argentinian-born star talks to Tom Lamont about her silent movie success, her husband, Michel Hazanavicius, and the trouble with signing autographs