Back at the Hotel du Cap for an audience with Liberace, then home to Cannes for Eurotrash excess from Paulo Sorrentino … and Euro-tensions courtesy of the cabbie
Steven Soderbergh's biopic of the pianist is a bizarre anti-Pinocchio parable in which toxic love transforms a handsome young man into a deeply unhappy latex doll, writes Peter Bradshaw
Cory Doctorow: If online oversharing is a public health problem, then the state's decision to harness it for its own purposes means that huge, powerful forces within government will come to depend on it
Web pioneer reveals details of acquisition of blogging platform, as site's 26-year-old founder tells staff: 'Fuck yeah'. By Charles Arthur and Josh Halliday
Critic and director Mark Cousins is receiving rave reviews at Cannes for his inspirational film about cinema and childhood. He tells Charlotte Higgins why it's the decade of the cine-essay