Forgotten tour footage captures glamour of young Queen’s reign

From Iran's atomic research facility to a whaler off the Falkland Islands, the state visits of the 50s and 60s took the Queen and her family to some of the world's most extraordinary places. And wherever the royals went, the official camera teams were on duty. Now those film reels have been uncovered. Christopher Stevens reports

This week’s new DVD & Blu-ray

Haywire | True Blood: The Fourth Season | The Grey | Ghost In The Shell – Stand Alone Complex: Solid State Society | Children Shouldn't Play With Dead Things & Dead Of Night

This week’s new films

The Dictator | The Raid | 2 Days In New York | If I Want To Whistle, I Whistle | Even The Rain | She Monkeys | The Source | The Life And Death Of Colonel Blimp

Danny Glover: the good cop

He found fame as a policeman in the Lethal Weapon films, but it's his political activism that really drives him. He talks about his beloved Haiti, Obama's disappointing presidency and his friendship with Mel Gibson

Where are the women in film?

The conversation: This week's Cannes festival has been mired in controversy because of the lack of female film-makers. Producer Trudie Styler and director Lucy Walker spill the beans

Cannes 2012: Broken – review

Rufus Norris's drama of dysfunction and pain is often strained and self-conscious, but newcomer Eloise Laurence is a real find, writes Peter Bradshaw

Cannes 2012 diary: day three

Xan Brooks: Films and fireworks flash before my eyes ... should I watch Matteo Garrone's Reality or Pablo Larraín's NO?

Cannes 2012: Paradise: Love – review

In the first part of a trilogy, Ulrich Seidl explores the subject of sex tourism among rich, middle-aged white women. But does he tell us anything we didn't know already? asks Peter Bradshaw

Tajikistan bans The Dictator

Sacha Baron Cohen spoof denied distribution licence over fears film is incompatible with central Asian country's mentality

Cannes 2012: Reality – review

Peter Bradshaw: Matteo Garrone's watchable satire on reality TV is played with gusto and heart — though is fundamentally a little predictable

Cannes 2012: Mekong Hotel – review

Apichatpong Weerasethakul's interesting but indulgent featurette is no more than a diverting footnote to his more acclaimed work, writes Peter Bradshaw

Cannes 2012: Mystery – review

Distinctive and confident, Lou Ye's intriguing if ultimately slightly preposterous noir-melodrama lives up to its name, writes Peter Bradshaw

2 Days in New York – review

Family relations and cross-cultural mishaps might be the stuff of Hollywood cliche, but Delpy whisks it all into a delightful comedy, writes Steve Rose

The Source – review

It could have been a neat, well-aimed satire, but myriad subplots dissipate the energy and comedy, writes Steve Rose

Klitschko – review

This conventional boxing story gains a piquant flavour from the Klitschkos' upbringing in a Soviet-era Ukraine, writes Andrew Pulver