Richard Hartley

Technology, Photography & Film

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New home, new outlook? What’s next for the Sundance film festival?

The final Utah edition of the hub for American independent film saw slow sales and a mixed bag of movies but a future in Colorado could bring a refresh

From ‘nerdy’ Gemini to ‘edgy’ Grok: how developers are shaping AI behaviours

AIs are not sentient – but tweaks to their ethical codes can have far-reaching consequences for users

The dump dinner: spaghetti is now being served straight on to the table – but why?

A raft of online videos show parents serving up dinner without a single plate in sight, to the amazement of their families

UK privacy watchdog opens inquiry into X over Grok AI sexual deepfakes

Information Commissioner’s Office to investigate whether Elon Musk’s firms have complied with data protection law

Meryl Streep cast as Joni Mitchell in new biopic

The Oscar-winning actor will star in the Cameron Crowe-directed feature about the singer-songwriter’s life

‘Playing a god became a safety net’: Chris Hemsworth opens up about Thor, money and his insecurities

In the Marvel films he was unassailable, but in real life the actor says he’s more like the anxious thief he plays in Crime 101. He and its writer/director Bart Layton talk midlife angst, imposter syndrome – and Alzheimer’s

The lithium boom: could a disused quarry bring riches to Cornwall?

Known as ‘white gold’, lithium is among the most important mined elements on the planet – ideal for the rechargeable batteries used in tech products. Can Europe’s largest deposit bring prosperity to the local community?

Anthropic’s launch of AI legal tool hits shares in European data companies

Pearson, Experian and others fall sharply after startup unveils software to automate a range of professional services

Disney names parks and cruises boss Josh D’Amaro as next CEO

D’Amaro will take over next month from Bob Iger, who returned to lead the media company after a bungled succession

Disastrous start for US TikTok as users cry censorship

New US-owned app struggled with a storm and was accused of blocking content critical of Trump – can it recover?

New Scrubs, Muppets and Lord of the Flies: what’s new to streaming in Australia in February

Plus Jurassic World Rebirth, Paul McCartney documentary Man on the Run, and a sharply observed dramedy about open marriages

‘Crime is a disease. Meet the cure’: Sylvester Stallone’s self-serious cop movie is ludicrous fun

Cobra’s politics are definitely on the iffy side and it takes itself very seriously indeed – but there’s absolutely no reason for you or I to

Australian influencer’s illegal crypto gambling ads permitted by Meta despite Acma warning of $2.4m fine

Online streamer Dinah promoted Rainbet to her 820,000 followers, despite the regulator warning ‘significant penalties’ were at stake

I confessed a deplorable secret about motherhood to a friend – and it changed my life

The ‘mum noir’ film If I Had Legs I’d Kick You brought back the difficulties of those challenging early days of parenthood, and the conversation that freed me up emotionally, writes Polly Hudson

Ashes and Diamonds review – Poland faces bleak postwar realities in Andrzej Wajda’s 1958 masterpiece

Polish fighters contemplate their future in Wajda’s 1958 film in which the war’s end, far from being a cause for celebration, marks a crisis of identity for their country

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Big shake-up in Google’s AI team as DeepMind chief executive steps down
  • ‘Disturbing’: TikTok faces criticism after Perez Hilton livestreams self-harm
  • AI models have been going rogue in tests – how worried should we be?
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past
  • One Night Only review – sex is legal for 12 hours a year in bizarre romcom
  • AI models shock UK testers by using fake identities to try to trick developers
  • Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
  • Darth Vader to become a TikTok star as Disney strikes deal on short video
  • ‘Leicester Square, please guv’: Self-driving taxis cleared for London streets ‘later this summer’
  • Film posters for The Mummy banned from public display in UK
  • Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
  • A Child of My Own review – barely believable true crime tale of desperation and delusion
  • Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
  • Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
  • ‘If we don’t fight back, we don’t have a future’: the journalist taking on the ‘tech fascists’ of Silicon Valley
  • Paw Patrol: The Dino Movie review – plucky pups do their thing on Jurassic-style island
  • Democracy is at stake when foolish humans bet on machines being intelligent
  • Queens of the Dead review – drag performers slay on the party scene in playful zombie comedy
  • Palantir paid just £2m corporation tax in UK in 2024 despite lucrative public sector contracts
  • SpaceX beats revenue expectations in first earnings report after IPO crash
  • AI-generated stories rated better quality than human-written ones, study finds
  • Big Chicken: A Fast Food Conspiracy review – Mo Gilligan ruffles feathers in battle against ultra-processed foods
  • Trump administration reportedly drafting ban on Chinese datacenter components
  • Tell us: has Christopher Nolan’s The Odyssey stoked your interest in classics and poetry?
  • Elon Musk’s X latest to block Saudi dissident accounts inside kingdom
  • Christopher Nolan’s The Odyssey gives UK poetry sales an epic boost
  • Star Wars dubbed into Welsh for first time for S4C broadcast
  • The best microwaves in the UK for every kitchen and budget – tested
  • Google Earth’s potential disinformation nightmare
  • Lucky Strike review – likably manly Scott Eastwood fights his way home in second world war yarn

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