Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

The Son of Joseph review – arch family drama

The story of a teenager’s quest to find his father is marred by laboured performances

The Son of Joseph review – a droll teen drama with hints of Wes Anderson

Eugène Green’s The Portuguese Nun was a gentle comic gem and his new film about a lonely boy is lovable in exactly the same way

The 50 best films of 2016 in the UK: No 2 Son of Saul

As our countdown continues, Andrew Pulver looks back on a harrowing Holocaust drama from Hungarian director László Nemes

The Ardennes review – a top new talent

Robin Pront’s debut feature about a family of criminals in Belgium is full of bold storytelling and striking visuals

The Black Hen review – war invades bucolic calm in Nepalese war drama

Maoist guerrillas inflict brutal violence on a village in this engaging debut, marked by dream sequences reminiscent of Buñuel

The Ardennes review – disappointing Belgian crime drama

This tale of familial crime and punishment starts promisingly, but lurches off in various unconvincing directions and badly loses its way

The Unknown Girl review – a rare misfire from the Dardenne brothers

A new edit of the Belgian auteurs’ oddball detective story can’t help its fundamentally baffling tone and form

The Dreamed Ones review – a poetic postwar love affair revisited

Two young actors become involved with Paul Celan and Ingeborg Bachmann’s letters in this intriguing study of a famous relationship

Heritage of Love review – wretched, retchworthy Russian romance

An insufferable love story set in St Petersburg pre-1917 and Paris today, this regressive, saccharine film may have made serious rubles, but it has no merit

From The Great Escape to Sholay: what makes a film a national favourite?

Whether they tackle war, Soviet monotony or working-class suffering, the movies that countries take to their collective hearts tend to transcend age and class. We run through nine local treasures – and a few that fall just short

Creepy review – gripping study of urban isolation, with goosepimples

Kiyoshi Kurosawa’s unnerving, virtuosic horror movie is amazingly attuned to ambience and emotional textures

The Wailing review – Korean horror flick takes fear to the brink of an abyss

Korean director Na Hong-jin delivers a supreme evocation of evil in this intense rural-horror

United States of Love review – a personal account of history

The fall of communism in Poland is retold through the eyes of four women struggling to find their place in the new world order

I, Olga review – an alienating look back in anger

A disjointed character study in stark monochrome makes for a tough but rewarding viewer experience

Divines; Ghostbusters; The BFG; Star Trek: Beyond and more – review

Houda Benyamina adds a thrilling feminist twist to the ghetto life genre with the direct-to-Netflix Divines

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Texas environmentalists lose bid to block Musk’s SpaceX from closing beach
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls

Contact www.richardhartley.com   Terms of Use