Richard Hartley

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A Silent Voice review – a beguiling Japanese coming-of-age animation

Based on a manga series, this delicately told story of wrongdoing, redemption and romance is subtle and sensuous

Sônia Braga: ‘The Oscars only have four spaces for best actress – one is always reserved for Meryl Streep’

The Brazilian says Latino actors don’t get many chances in Hollywood – but her role as the fiery Clara in corruption drama Aquarius might just be her rescue mission

The Student review – a forceful and provocative lesson from Russia

Far-right extremism causes havoc in a Russian school in this strident but timely tale

The Student review – a seductive satire of Russian Orthodox dogma

This hypnotic adaptation of Marius von Mayenburg’s play finds the comedy in the actions committed by a devout teenager in the name of his beliefs

Headshot review – ultra-violent Indonesian action-thriller

Bad guys go on the rampage in this stylish and excessively gory iteration of the action genre

The Nights of Zayandeh-Rood review – Makhmalbaf’s essential early film returns

The great auteur’s controversial 1990 critique of Iranian society is a rich meditation on family life, the legacy of violence and lost love

It’s my first time attending the Oscars – here’s my wishlist for the night

Will La La Land clean up? Will the stars come out against Trump’s travel ban? And will Ryan Seacrest give a certain debonair British film critic the red carpet moment he deserves?

Sweet Dreams review – muddled, sentimental tale of a son haunted by grief

Marco Bellochio’s story of a journalist dealing with the loss of his mother is spoiled by a disappointingly sugary resolution

End of empire: why Bollywood needs to grasp India’s story

Seven decades after independence, Indian cinema is still struggling to depict the Raj, leaving its screen depictions – from Gandhi to colonial racism – to be viewed almost solely through British eyes

Lars von Trier inspired by Donald Trump for new serial-killer film

Exclusive: The Danish director’s The House That Jack Built ‘celebrates the idea that life is evil and soulless, which is sadly proven by the recent rise of the Homo trumpus – the rat king’

Le Parc review – first date movie dissolves into sinister surrealism

Two teenagers meet and make out before everything gets seriously freaky in this ethereal low-budget French affair

Toni Erdmann review – fascinatingly fraught father-daughter relationship

There are plenty of laughs in Maren Ade’s unsettling, uproarious story of a family struggling to connect, but the funny thing is – it’s not really a comedy

Close Relations review – a family and a nation divided

Exploring how Russia’s involvement in Ukraine has affected his own family, Vitaly Mansky’s documentary shows the pain of loyalties tested

Irreplaceable review – a healthy prognosis for heartfelt drama

A country doctor struggles to come to terms with his own illness in a bittersweet French drama

Irreplaceable review – good-natured country doctor drama

Hints of All Creatures Great and Small suffuse this engaging tale of a rural medic forced to take on a younger female assistant after he is diagnosed with cancer

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Texas environmentalists lose bid to block Musk’s SpaceX from closing beach
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls

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