Richard Hartley

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United States of Love review – liberation is desperation in a sick new world

Four women living in Poland as the Soviet empire falls are oppressed by joyless sex and yearning in Tomasz Wasilewski’s unnervingly sad and icy film

We Are the Flesh review – welcome to the eroto-pocalypse

It’s all red filter, hardcore action and impending doom in this orgiastic dystopian nightmare set in Mexico

The Innocents review – striking and sober

This powerful tale of sexual abuse of nuns in wartime Poland recalls both Ida and Of Gods and Men

Divines director Houda Benyamina: ‘It’s better to make a film than a bomb’

Inspired by the fury of France’s 2005 riots, the French-Moroccan film-maker channelled her anger into art. The result was a Camera D’Or-winning below-the-banlieues thriller

Girls Lost review – magical realism with gender issues

Three bullied girls are turned into boys in this sensual Swedish drama-cum-fairytale

The Last Family review – mesmerising portrait of a battling brood

Jan P Matuszynski recreates the real-life story of a fractious family living on a bleak Warsaw housing estate with incisive aplomb

Matt Dillon to play serial killer in new Lars von Trier film

Actor takes lead in Danish director’s latest, The House that Jack Built, in which he plays a murderer who believes he is creating art with his killings

After Love review – Bejo and Kahn prove that breaking up is hard to do

Bérénice Bejo and Cédric Kahn star in a painfully intimate, horribly fascinating drama about the emotional and financial complexities of a separation

Sonita review – profile of an irrepressible wordsmith

An Afghan teen uses rap to attack the practice of selling daughters into marriage in this powerful documentary

Sembène! review – legacy trumps scrutiny in Senegalese director doc

This respectful documentary stays faithful to Ousmane Sembène’s iconoclastic legend, leaving questions and contradictions by the wayside

Tharlo review – a Tibetan fable

There’s rich allegory and inventive use of sound in this tale of a goatherd’s adventures in the big city

Under the Shadow review – ghostly Iranian gem

Otherworldly forces terrorise a mother and daughter in this provocative horror set in 1980s Tehran

Under the Shadow review – supremely scary horror from Iran

Babak Anvari’s disturbing ghost story, set in Tehran during the 1980-88 Iran-Iraq war, is a brilliant parable of supernatural invasion

Tharlo review – serviceable arthouse glimpse of life in Tibet

Pema Tseden’s monochrome fable about an innocent shepherd coming to town is packed with familiar devices but none the worse for that

The Fencer review – Touché! Swordplay drama is directed with vim

Klaus Härö’s tale of a champion fencer on the run from the KGB who winds up teaching schoochildren has strong performances and is luscious to look at

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Texas environmentalists lose bid to block Musk’s SpaceX from closing beach
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls

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