Richard Hartley

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The 50 best films of 2019 in the US: No 1 – Parasite

Bong Joon-Ho’s breathlessly entertaining magnum opus mixed Hitchcockian suspense with deft social commentary, sparking heated debate worldwide

The 50 best films of 2019 in the UK: the full list

Our pick of the year’s top movies released in the UK reveals the end of an era, painful breakups, festive families, horrors both real and imagined, and heroes of many kinds

Long Day’s Journey Into Night review – an exhilarating slo-mo hallucination

Mystery, passion and fear permeate the obsessive reverie of a man searching for his lost love, which takes flight in an audacious 3D dream-fantasy sequence

Ip Man 4 review – kung fu master gives America a kicking

In the solemn fourth film about the real-life martial arts teacher, Ip Man takes on a racist bully in the US marine corps

The 50 best films of 2019 in the UK: No 3 – Happy As Lazzaro

Though it doesn’t yield its meanings easily, Alice Rohrwacher’s miraculous and enigmatic fable revels in its protagonist’s state of grace

Sons of Denmark review – conspiracy thriller takes a shocking turn

A misjudged scene depicting an acid attack fatally undermines this drama about radicalisation and anti-Muslim nationalism

The 50 best films of 2019 in the UK: No 8 – Burning

Lee Chang-dong’s missing-person drama was a flickering gem that forwent easy thrills for a deeply unsettling unresolvedness

So Long, My Son review – a gorgeous, melancholy masterpiece

Three decades of Chinese history are told through the lives of two couples linked by tragedy

The Umbrellas of Cherbourg review – delightful Deneuve reigns supreme

Catherine Deneuve brings an unworldly, subtly erotic charm to Jacques Demy’s rereleased pastel rainbow of a musical

The Cave review – horror and hope in a Syrian hospital battered by war

This powerful, immensely moving documentary follows the courageous medical staff who must treat injured children as bombs fall around them

The Wolf’s Call review – lots of sweaty sub-on-sub action

This French mashup of Dr Strangelove and The Hunt for Red October features lots of tense silence, sweaty faces and all the other tropes of submarine movies

Solid Gold review – sluggish Polish crime thriller

A tough-nut ex-cop is lured back to her old job to help bring down a drug baron in this overlong and unengaging drama

Undocument review – dogged journey along the migration trail

Desperate asylum-seekers confront people smugglers and border officials in this laudable but hesitant drama

So Long, My Son review – exquisite, agonising Chinese family saga

The epic story of two married couples enduring personal tragedy and state-imposed suffering is an almost unbearably poignant, profound masterpiece

And the 2019 Braddies go to … Peter Bradshaw’s film picks of the year

Ahead of the launch on Tuesday of the Guardian’s films of the year countdown, our critic selects his personal choice of the movies, directors and performances of 2019

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype

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