Richard Hartley

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Atlantics review – poetic Dakar love story

A prosaic script lets down Mati Diop’s visually arresting, ghostly first feature

The woke undead: how zombie movies are taking on racial politics

A new wave of horror films are reviving the zombie’s African roots to offer modern-day reflections on slavery and migration

A little rain must fall: the tragic secret of a musical movie masterpiece

The Umbrellas of Cherbourg, a life-enhancing 60s sensation, is about to enrapture a new generation of filmgoers

I Lost My Body review – hand on heart, you’ll love this…

A disembodied hand searches for its former owner in this haunting French gem that signals the arrival of a major new talent in animation

La Belle Époque review – overegged French time-travel comedy

Daniel Auteuil is a man disillusioned with life and marriage who gets a chance to go back in time in this Charlie Kaufman-lite saccharine comedy-drama

Heimat Is a Space in Time review – epic journey into Germany’s dark past

Thomas Heise’s four-hour documentary draws on the journals of his own family to construct a powerful, agonising history

Permission review – female footballer pays penalty in Iran

The husband of a woman due to play a match abroad refuses her permission to travel in a fictionalised version of a true story

Cattle Hill review – udderly bewildering rock’n’roll cows

A heifer with dreams of stardom turns to her retired rock star dad for advice in this strange, candy-coloured family animation

Someone, Somewhere review – slow-burn Parisian therapy romance

The meet-cute is neatly postponed in this entertaining story of two next-door neighbours, both seeing therapists and looking for love

Gabriel review – plucky boxing story pulls its punches

The tale of a desperate young fighter in Lisbon features a soulful performance but is dogged by boxing movie cliches

Campo review – salute to a beekeeping band of brothers

This elegant documentary about a bucolic Portuguese military base offers surprising glimpses of the soldiers’ off-duty pursuits

By the Grace of God review – Ozon’s incendiary Catholic Church child-abuse drama

François Ozon’s painful, sombre story of an ongoing child sexual abuse scandal in France is strongest when it foregrounds the victims’ themselves

Darkness Visible review – mystery and murder on the streets of Kolkata

A son hunts for his mother after her unexplained return to her home town in this intriguingly inventive horror story

Corpus Christi review – from parole to the priesthood

This smart plot-twister about an ex-con who takes up the identity of a new priest sidesteps a soppy trajectory to land on a much bleaker, thoughtful note

Beanpole review – Russians pay a bitter price for survival

Kantemir Balagov brilliantly deploys shock tactics to weigh the horrors of peace against the trauma of war in 1945 Leningrad

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype

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