Richard Hartley

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Kashmir human rights film divides UK’s Indian and Pakistani communities

Ashvin Kumar, director of No Fathers in Kashmir, says it shows the plight of families and people in Britain must not ignore their suffering

Weathering With You review – thrillingly beautiful anime romance

A runaway teenager falls for a mysterious ‘sun girl’ who has the power to stop the rain in Japan’s highest-grossing film of 2019

Midnight Traveler review – refugees’ gripping escape from Afghanistan

Filmed entirely on smartphones, Hassan Fazili’s powerful documentary charts his family’s perilous, gruelling trek to sanctuary in Europe

Lullaby review – a no-thrills thriller

A middle-class French family is terrorised by the nanny from hell

El Topo review – Jodorowsky’s weird world of occult psychedelia

The veteran director stars as a black-clad horseman on a bizarre desert quest with worrying Mansonesque overtones in his rereleased head trip of 1970

Lullaby review – bad-nanny thriller up past its bedtime

A young couple make a terrible childcare choice in this strained, unsatisfying drama based on Leïla Slimani’s bestselling novel

The most exciting movies of 2020 – foreign language

Paul Verhoeven plays the provocateur, bloody excess hits Brazil’s wild west and Bong Joon-ho’s Parasite finally invades these shores

La Dolce Vita review – a sexy, surreal masterpiece of modernity

Federico Fellini’s rereleased film brilliantly captures postwar Rome and its denizens as they tumble headlong into hedonistic excess – and secret melancholy

We Are from Jazz review – zany Russian musical comedy

In this entertaining fantasy from the Soviet era, a brilliant pianist is expelled from the music academy because of his passion for decadent American jazz

War epics, airmen and young Sopranos: essential films for 2020

Daniel Craig bows out as Bond, the original Ghostbusters make a slimy return and Dickens gets a razor-sharp reboot – our preview of movie highlights this year

Mark Kermode’s best films of 2019

The Observer’s film critic introduces his 10 best movies of 2019

Long Day’s Journey Into Night review – some kind of sorcery at work

This staggeringly ambitious love story will dazzle and baffle long after the credits have rolled

Merry Men 2 review – low-budget Fast & Furious-style shenanigans

The criminal fringe meets sexy high-stakes espionage in this rough-and-ready Nollywood action sequel

Nuclear nightmares: the Belarus film festival taking a stand against repression

In a country where history casts a long shadow and authoritarianism reigns, a guerrilla festival team commandeer cinemas to champion liberty – if the KGB don’t get there first

The 50 best films of 2019 in the US: the full list

Our pick of the top films released in the US this year brings a shocking class war, tearjerking breakups, war, glamour, horror and everything in between. Tell us your favourites too

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces

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