Richard Hartley

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DAU. Natasha review – an exquisitely sinister study of Soviet oppression

As part of a colossal art project, Ilya Khrzhanovsky has made an intimately eerie examination of the banality of evil

Lost in translation: when film-makers hit the language barrier

Making films in another language is always a risk – for every Yorgos Lanthimos-style success, there’s a Wong Kar-wai disaster lurking around the corner

Pinocchio review – wooden-puppet fairytale goes back to the sweet-sour original

Director and co-writer Matteo Garrone embraces the grotesqueness and sentimentality of Collodi’s 1883 story

End of the Century review – post-coital reverie of sex, love and memory

Two men who meet in Barcelona have an unsettling feeling of deja vu in this elegant romantic drama

First Love review – a bloody slice of Tokyo pulp fiction

A flamboyantly violent boy-meets-girl crime caper

Classics of modern South Korean cinema – ranked!

Global interest in Korean film has been piqued by Bong Joon-ho’s satirical Parasite, which has won the Palme d’Or and best picture at the Oscars. Here are 19 more Korean masterpieces

First Love review – brilliantly bizarre, ultra-violent yakuza caper

A terminally-ill boxer helps out a troubled sex worker in Takashi Miike’s strange and wildly energetic film – his 103rd

A Paris Education review – partying in Paris like it’s 1968

A bunch of attractive young people study film, quote poetry and have sex, in a black and white drama fatally lacking narrative drive and passion

Korean cinema’s global reach highlighted by Parasite’s Oscar win

Fans emphasise rich diversity of film-making, which has been thrilling audiences for years

Parasite’s best picture Oscar could kickstart a new era of internationalism

If the Academy Awards want to regain relevancy and excitement, they should reward more global success stories

Parasite review – searing satire of a family at war with the rich

Members of an unemployed family target a wealthy household in Bong Joon-ho’s superbly written, horribly fascinating comedy-drama

Fando y Lis review – Jodorowsky’s freaks-and-flesh debut

Embarking on a bizarre desert quest, a mysterious couple encounter strange scenes and lots of nudity in the Chilean director’s rereleased 60s ‘happening’

Willem Dafoe and Hillary Clinton to attend Berlin film festival

Dafoe stars in Abel Ferrara’s Siberia in a competition that beats out Cannes and Venice for female directors, while a documentary about Clinton shows outside the main lineup

How I Became a Gangster. True Story review – dire, derivative mob caper

Based on real events, this story of Polish gangsters fighting each other and abusing women is self-important and cliche-ridden

No Fathers in Kashmir review – dithering heights

A British girl and her Kashmiri friend trek into the mountains in this clunky tale of two missing fathers

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate

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