Chris Marker's La Jetée, a half-hour futuristic film that explores time and memory, seems to conjure an entire century's romance with the moving image. Brian Dillon looks at the French director and his enigmatic masterpiece
Since his electric breakthrough appearance in La Haine, French actor Vincent Cassel has established a distinct brand of cool. He talks to Jason Solomons
Italian prime minister Giulio Andreotti is the corpselike figure who stalks this new film from Paolo Sorrentino. It's a macabre masterpiece, says Peter Bradshaw
Those unacquainted with Arriaga's technique might be led into thinking that the projectionist has put the reels on in the wrong order, writes Philip French
Paolo Sorrentino's stunning new film has enraged the politician it portrays. The director tells Stuart Jeffries why it was worth taking such an incendiary risk