O’Horten
Scratch a 21st-century Scandinavian, the movies tell us, and you'll find a 19th-century peasant. By Philip French
O’Horten
A pleasant, if undemanding film with some nice visual humour, says Peter Bradshaw
Delta
The movie is lovely looking, but frankly a little specious and shallow, says Peter Bradshaw
Pierre Etaix’s marathon court battle to get his films back on French screens
Oscar-winning director wins long running fight over distribution rights
Film preview: All Change: The Romanian Film Festival, London
Curzon Mayfair, W1, to Mon 4 May
DVD review: North Face
Rob Mackie: A mountain-climbing film good enough to reach the standard set by Touching the Void
Funuke: Show Some Love, You Losers!
Something here for devotees of offbeat Japanese black-comedy weirdness, says Peter Bradshaw
In praise of… Paolo Sorrentino
Editorial: Some directors shout, others mumble; Paolo Sorrentino prefers to crack sly jokes out of the side of his mouth
The Grocer’s Son
This is a sweet-natured tale of a shy lad reluctantly returning from Paris to his Provençal roots, writes Philip French
The Grocer’s Son
This is a sweet and engaging little film, writes Peter Bradshaw
Giulio Andreotti, master spinner
Robert Fox: Il Divo, the film that charts the career of the former Italian prime minister, is a brilliant celebration of the state and non-state in Italy
Before I Forget
This is an unsentimental meditation on old age and pleasures past, writes Philip French
Before I Forget
A relaxed insight into the demi-monde of the ageing, former-gigolo, gay Frenchman
Tony Manero
This Chilean comedy about a Saturday Night Fever obsessive is like being accosted by a loner on a night bus
Cherry Blossoms
One of Germany's most unpredictable independent directors reworks, or pays homage to, Yasujiro Ozu's Tokyo Story, says Philip French