Richard Hartley

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‘Endlessly quotable’: why Wayne’s World is my feelgood movie

The latest in our series of writers paying tribute to their most rewatched comfort films is a trip back to 1992 for the unique rock comedy

Shelter review – super-soldier Jason Statham does the business as he takes on Bill Nighy in action thriller

Ric Roman Waugh’s predictable plot redeemed by fight choreography as Statham faces up to Bill Nighy, and casting of young Hamnet actor Bodhi Rae Breathnach

Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage

Polish director-writer Michal Grzybowski’s film has inspired flashes, but mostly eschews humour for a drearier take on the intertwining of stage and life

‘Yes, they would execute a child’: the film about a girl who has to bake a birthday cake for Saddam Hussein

Warm, funny and heartbreaking, The President’s Cake tells the story of a brutal ruler and a girl forced to make him a present in a time of sanctions-induced hardship. Its Iraqi director Hasan Hadi remembers his own fearful childhood

Viral AI personal assistant seen as step change – but experts warn of risks

OpenClaw is billed as ‘the AI that actually does things’ and needs almost no input to potentially wreak havoc

Do You Love Me review – exhilarating documentary is ode to the collective courage of Lebanese people

In this freewheeling film Lana Daher draws from more than 20,000 hours of archival footage to channel the resilient spirit of Beirut

What is Moltbook? The strange new social media site for AI bots

A bit like Reddit for artificial intelligence, Moltbook allows AI agents – bots built by humans – to post and interact with each other. People are allowed as observers only

Why should renters like me have to trade away our privacy just to get a roof over our heads?

The rise in real estate tech means renters often hand over huge amounts of revealing information to digital third parties – at great risk

Steven Spielberg becomes an Egot after winning Grammy for John Williams documentary

Director says Grammy for best music film ‘means the world to me’ as he pays tribute to composer and collaborator

Snapchat blocks more than 400,000 Australian accounts but warns of ‘significant gaps’ in under-16s social media ban

Social media platform says there are still ‘real technical limitations to accurate and dependable age verification’

Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western

The Repo Man director relocates Gogol’s surreal novella to the old west in what he says will be his final film

Melania film earns $7m in US, strongest documentary debut in over a decade

Melania, however, cost significantly more than a typical documentary, at $40m to make and $35m to promote

‘It’s really sad’: US TikTok users rethink app over concerns about privacy and censorship

Some users are stepping away from the app after it made a deal to create a US entity and updated terms and conditions

Dozens of historic Maseratis recreated for movie about Italian car company

Film with a cast headed by Anthony Hopkins tells the story of a supercar marque that began in a small Bologna garage

‘Coffee is just the excuse’: the deaf-run cafe where hearing people sign to order

In-person interactions break down barriers in east London, as AI startups also try to bridge communication divide

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • ‘Basically, you give yourself to the man’: Trewley Precious Temple on her life as a Gypsy wife – and beyond
  • ‘I’m not spying’: how Meta’s smartglasses have divided opinion
  • ‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
  • Big shake-up in Google’s AI team as DeepMind chief executive steps down
  • ‘Disturbing’: TikTok faces criticism after Perez Hilton livestreams self-harm
  • AI models have been going rogue in tests – how worried should we be?
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past
  • One Night Only review – sex is legal for 12 hours a year in bizarre romcom
  • AI models shock UK testers by using fake identities to try to trick developers
  • Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
  • Darth Vader to become a TikTok star as Disney strikes deal on short video
  • ‘Leicester Square, please guv’: Self-driving taxis cleared for London streets ‘later this summer’
  • Film posters for The Mummy banned from public display in UK
  • Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
  • A Child of My Own review – barely believable true crime tale of desperation and delusion
  • Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
  • Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
  • ‘If we don’t fight back, we don’t have a future’: the journalist taking on the ‘tech fascists’ of Silicon Valley
  • Paw Patrol: The Dino Movie review – plucky pups do their thing on Jurassic-style island
  • Democracy is at stake when foolish humans bet on machines being intelligent
  • Queens of the Dead review – drag performers slay on the party scene in playful zombie comedy
  • Palantir paid just £2m corporation tax in UK in 2024 despite lucrative public sector contracts
  • SpaceX beats revenue expectations in first earnings report after IPO crash
  • AI-generated stories rated better quality than human-written ones, study finds
  • Big Chicken: A Fast Food Conspiracy review – Mo Gilligan ruffles feathers in battle against ultra-processed foods
  • Trump administration reportedly drafting ban on Chinese datacenter components
  • Tell us: has Christopher Nolan’s The Odyssey stoked your interest in classics and poetry?
  • Elon Musk’s X latest to block Saudi dissident accounts inside kingdom
  • Christopher Nolan’s The Odyssey gives UK poetry sales an epic boost
  • Star Wars dubbed into Welsh for first time for S4C broadcast

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