Richard Hartley

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Gentle Monster review – disquieting drama about two women facing the truth about the men they love

Cannes film festival: Léa Seydoux is a wife and mother whose life unravels when police arrive to quiz her husband; Jella Haase is a detective dealing with her ailing father’s misdeeds

All of a Sudden review – care home drama is tender, meditative and a little too precious for its own good

Cannes film festival: Ryusuke Hamaguchi’s ocean-hopping treatise on love and mortality is undeniably beautiful – but it works best in its quieter, compassionate moments rather than the flurries of self-conscious solemnity

Erling Haaland to make film acting debut – as a Viking called Haaland

The Manchester City striker will feature in Viqueens, an animated film by director Harald Zwart, who described him as ‘powerful, fearless and uniquely Norwegian’

A year in hospital and 90% lung damage: how Andrey Zvyagintsev came back from Covid to Cannes

Cannes film festival: The great Russian director of Leviathan, Loveless and The Return has overcome extraordinary obstacles to present his first film in nine years

Fatherland review – Sandra Hüller brings a bayonet of intelligence to Paweł Pawlikowski’s taut return

Cannes film festival: Hanns Zischler stars as Thomas Mann on his 1949 tour of Germany, contending with political barbs, personal tragedy and his daughter, played by an extraordinary Hüller

Hannah Einbinder: cost of not speaking out on Palestine is greater than losing career

Hacks star spoke at Cannes about fallout from pro-Palestine comments and joining a tradition of Jewish allies

‘It’s like stealing’: Palestinian family’s seized property listed on Booking.com

West Bank home described as ‘ideal for outdoor gatherings’ is among 41 listed rentals in illegal Israeli settlements

Anderson juices up the vibes for Dior with spotlight on Hollywood

Designer suggests decision to stage show in Los Angeles is part of strategy to deepen label’s cinema presence

‘A passion, but also a gamble’: why India’s gen Z are cashing in on the trend for secondhand fashion

Faced with rising costs and a lack of jobs, many young Indians are turning an online side hustle into a successful income – but the informal work isn’t always plain sailing

Chinese court awards compensation to sacked worker replaced by AI

Case attracts widespread attention as example of China balancing enthusiastic adoption of AI with job security

Nagi Notes review – clear, calm light shed on criss-crossed family passions

Cannes film festival: Set in a beautifully filmed provincial Japanese town, what could have been a soapy drama is told with poetic restraint and subtlety by Kôji Fukada

Datacentres using 6% of electricity supply in UK and US, research says

Industry body says energy consumption driven by AI up 15% globally in two years as it warns of societal backlash

Carla Simón: ‘In Spain people use words like shame and blame. But my parents just had bad luck‘

The rising star of Spanish cinema discusses being orphaned at six, new feature Romería and why she always works with children

Nvidia’s Jensen Huang joins other US bosses on Trump trip to China

Invitation to be part of group including Elon Musk and Tim Cook highlights American AI and tech ambitions

Rush hour on Air Force one as Melania director Brett Ratner joins Trump China trip

Filmmaker who was long on the outer in Hollywood over #MeToo allegations will scout locations for Rush Hour 4, according to spokeswoman

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Water cannon deployed in second night of disorder after knife attack in Belfast – live
  • Elon Musk’s X not facing action from UK government over posts inciting violence in Belfast
  • Glenn Close and Ridley Scott among names set to receive honorary Oscars
  • The Guardian view on far-right violence: digital radicalisation is threatening democracy
  • Sales of Meta whistleblower’s memoir soar after Hay festival ‘silencing’
  • How to Talk Australians: The Movie review – viral web series lampooning Aussie culture gets big-screen adaptation
  • First trailer for Aaron Sorkin’s Facebook sequel The Social Reckoning
  • Actor Tyler Mane reveals he is having treatment for rare male breast cancer
  • Under the Shadow review – Leila Farzad is fantastic in this nerve-shredding tale of 80s Tehran
  • From An Evening With Gary Lineker to Dear England: what to watch to warm up for the World Cup
  • ‘It’s not about heroes and villains’: the triumphant return of long-lost indie I Shot Andy Warhol
  • Should you send that midnight text? 11 essential rules for phone etiquette
  • The best films of 2026 so far
  • Chinese activist in UK told by X that abusive deepfakes do not breach rules
  • Boogie Nights review – Paul Thomas Anderson’s porn epic is still gaudy, seedy fun
  • Global brands ‘likely’ using mineral that funds rebels accused of atrocities in DRC, investigation finds
  • Can a $159 Bluetooth sleep mask help you snooze better? I tested to find out
  • How Belfast knife attack became the latest far-right ‘trigger event’
  • Crackdown on tech platforms will go ahead despite US intervention, says No 10
  • Peabo Bryson obituary
  • Disclosure Day review – close encounters of a deferred kind in Spielberg’s conspiracy spectacular
  • ‘We got banned from YouTube but they showed Saddam Hussein being hanged’: the wild viral visions of Romain Gavras
  • All signs point to Trump pushing AI growth
  • UK regulator orders social media firms to adopt measures to stop viral illegal content
  • Amazon’s main UK arm handed £7.6m tax credit as profits soar to £355m
  • I watched as Meta’s threats stopped Sarah Wynn-Williams from speaking – we must have stronger rights for whistleblowers
  • Bank of England warns of AI scams as deepfakes of Farage-Bailey fight spread
  • Think Musk the billionaire was bad? Brace yourself for Musk the trillionaire
  • ‘A man of great appetites’: what’s it like to be a dictator’s personal chef?
  • Signal One review – Dennis Quaid and David Thewlis ballast high-concept, low-risk first contact yarn

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