Richard Hartley

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Cannes is a beautiful, gruelling circus. I wouldn’t quit it for anything

The festival is a celebration of cinema and a frantic trade show all at once. After 25 years, I can’t help but go back, says critic Agnès Poirier

The Electric Kiss review – belle époque seance comedy struggles to summon real magic

Cannes film festival: Pierre Salvadori’s whimsical period farce about a fake medium and a grief-stricken painter has charm and elegance, but its romantic fantasy never quite ignites

Trump posts late-night social media spree as Iran war drags on

President posted more than 50 times in three hours, attacking on Obama, NY Times and supreme court

Head of Microsoft’s Israel branch to step down after inquiry into dealings with Israeli military

The inquiry came after the Guardian revealed Israel used company technology to support mass surveillance of Palestinian phone calls

GameStop’s $55.5bn bid for eBay rejected as ‘neither credible nor attractive’

Online marketplace takes into account uncertainty around US video games retailer’s financing proposal

Nobu review – story of obsession and loss that lies behind the luxury sushi empire

This affectionate portrait of chef Nobuyuki Matsuhisa finds surprising emotional depth beneath the glossy surface of the Nobu brand – with a cameo from Robert De Niro

Ciao UFO review – Hong Kong tear-jerker is less ET than time-hopping chronicle of housing estate kids

In 1985, four working-class characters are bonded for ever by a strange sighting in this sentimental saga that tracks their lives into adulthood

Sailm nan Daoine (Psalms of the People) review – one man’s quest to keep Gaelic psalm singing alive

Jack Archer’s gentle film follows the immensely likable Rob MacNeacail as he journeys across Scotland and Ireland in a bid to save these traditional songs of people and place

Cannes spotlight reverts to auteurs as Hollywood retreats from film festival

Absence of big US films heralds renewed focus on international cinema that underpins festival’s reputation

Molière Ex Machina: AI used to create ‘new work’ by beloved French playwright

Comedy debuts at Versailles featuring dialogue, music, costumes and scenery created with help of AI tool Le Chat

The Mysterious Gaze of the Flamingo review – haunting queer fable burns with love and menace

Diego Céspedes’s striking debut mixes magic realism and melodrama in a tender tale of an LGBTQ+ community facing fear and superstition in 1980s Chile

Forget the AI job apocalypse. AI’s real threat is worker control and surveillance

A new divide is emerging: between workers who use AI at work and those who are managed by it

‘I told him, “Go ahead, do it”’: Juliette Binoche on how a strangling attack as a teen inspired her directorial debut

After four decades reigning the international arthouse, the French actor steps into bracingly raw territory with new documentary In-I In Motion

Queer as Punk review – joyous portrait of Malaysian LGBTQ+ rebels making noise

Yihwen Chen’s warm and galvanising documentary follows queer punk band Shh…Diam! as they battle discrimination with humour and raw energy

My Father’s Diaries review – haunting home-video excavates trauma of Srebrenica massacre

Ado Hasanović’s moving documentary transforms footage filmed during the Bosnian war into a devastating portrait of memory, survival and inherited grief

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Water cannon deployed in second night of disorder after knife attack in Belfast – live
  • Elon Musk’s X not facing action from UK government over posts inciting violence in Belfast
  • Glenn Close and Ridley Scott among names set to receive honorary Oscars
  • The Guardian view on far-right violence: digital radicalisation is threatening democracy
  • Sales of Meta whistleblower’s memoir soar after Hay festival ‘silencing’
  • How to Talk Australians: The Movie review – viral web series lampooning Aussie culture gets big-screen adaptation
  • First trailer for Aaron Sorkin’s Facebook sequel The Social Reckoning
  • Actor Tyler Mane reveals he is having treatment for rare male breast cancer
  • Under the Shadow review – Leila Farzad is fantastic in this nerve-shredding tale of 80s Tehran
  • From An Evening With Gary Lineker to Dear England: what to watch to warm up for the World Cup
  • ‘It’s not about heroes and villains’: the triumphant return of long-lost indie I Shot Andy Warhol
  • Should you send that midnight text? 11 essential rules for phone etiquette
  • The best films of 2026 so far
  • Chinese activist in UK told by X that abusive deepfakes do not breach rules
  • Boogie Nights review – Paul Thomas Anderson’s porn epic is still gaudy, seedy fun
  • Global brands ‘likely’ using mineral that funds rebels accused of atrocities in DRC, investigation finds
  • Can a $159 Bluetooth sleep mask help you snooze better? I tested to find out
  • How Belfast knife attack became the latest far-right ‘trigger event’
  • Crackdown on tech platforms will go ahead despite US intervention, says No 10
  • Peabo Bryson obituary
  • Disclosure Day review – close encounters of a deferred kind in Spielberg’s conspiracy spectacular
  • ‘We got banned from YouTube but they showed Saddam Hussein being hanged’: the wild viral visions of Romain Gavras
  • All signs point to Trump pushing AI growth
  • UK regulator orders social media firms to adopt measures to stop viral illegal content
  • Amazon’s main UK arm handed £7.6m tax credit as profits soar to £355m
  • I watched as Meta’s threats stopped Sarah Wynn-Williams from speaking – we must have stronger rights for whistleblowers
  • Bank of England warns of AI scams as deepfakes of Farage-Bailey fight spread
  • Think Musk the billionaire was bad? Brace yourself for Musk the trillionaire
  • ‘A man of great appetites’: what’s it like to be a dictator’s personal chef?
  • Signal One review – Dennis Quaid and David Thewlis ballast high-concept, low-risk first contact yarn

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