Richard Hartley

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Tehran Taboo review – powerful Iranian animation

A stunningly rotoscoped collection of the Iranian capital’s secret stories

My 20th Century review – tales of an adventuress and an anarchist

The witty, whimsical debut of Hungarian director Ildikó Enyedi is about the strange entwined fates of separated twins at the turn of the century

Fan Bingbing’s mysterious disappearance: what it means for China’s elite

Three months ago, one of the country’s best known actors went missing. Now, seemingly chastened, she has reappeared with a bill for £112m in unpaid taxes and fines

Tehran Taboo review – sex, drugs and rock’n’roll in Iran

In this multi-stranded rotoscoped narrative, crackling with tension and bleak comedy, musicians and prostitutes find ways around the strict laws of their country

Jalouse review – female rage seen through a pre-#MeToo lens

The Foekinos brothers’ sometimes tone-deaf romcom pits women against women in the pursuit of men

‘There are no different truths’: the last years of Soviet cinema

A new season at the Barbican tells the story of the USSR’s final generation through the lens of its pioneering film-makers

Wajib review – raw nerves beneath the ancient hurts

Annemarie Jacir pits tradition against modernity in this bittersweet comedy about a father driving around Nazareth with his hipster architect son

Wajib review – a jokey jaunt through Nazareth

Annemarie Jacir’s comedy-drama interleaves simmering tension in the Israeli town with moments of terrific humour as a father and son deliver wedding invitations

Manto: the writer who felt the pain of India’s partition

Saadat Hasan Manto chronicled Bombay life in all its ugly beauty – until sectarian horrors were unleashed on the streets he loved. A new biopic by director Nandita Das retells his stories

Christopher Robin hugs top spot as BlacKkKlansman advances at UK box office

Shark tale The Meg and Mamma Mia! sequel hold on to higher placings as Idris Elba’s crime thriller Yardie fails to crack Top 10

Amanda review – a calm, healing film about life after Islamist terror

A well-meaning but sometimes obtuse French drama about a seven-year-old whose mother is killed in a mass shooting

The Guardians review – Nathalie Baye stars in lyrical wartime drama

Xavier Beauvois’ French drama evokes the role and psychology of those left on the farm during the first world war

Gold review – shining drama of India’s triumph on the hockey field

Reema Kagti’s stirring film celebrates the nation’s first post-independence Olympic medal at the 1948 Wembley Games

The Guardians review – women left behind reap a bitter harvest

In Xavier Beauvois’ fierce, compassionate drama, the first world war casts a terrible shadow over a farming community

The Heiresses review – wit and wisdom amid Paraguay’s upper crust

A woman is drawn out of her protective bubble when the money runs out in this excellent debut from Marcelo Martinessi

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people

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