Richard Hartley

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Polina review – dance drama fails to get moving

The story of a young Russian who abandons the Bolshoi to chase her dreams across Europe is frustratingly inert

The 50 best films of 2018 in the US: No 3 – Loveless

Andrey Zvyagintsev’s stark drama about the dire fallout to a toxic marriage was a loud dissenting cry from within Russia

The 50 best films of 2018 in the UK: No 4 – Loveless

Andrei Zvyagintsev’s stark drama about a couple’s toxic relationship – and its catastrophic fallout – was a passionate dissenting cry from within Russia

An Elephant Sitting Still review – melancholic and mesmerising

The first and last film from the late Chinese director and author Hu Bo has a desolate beauty

Khrustalyov, My Car! review – delirious and visually amazing Russian gem

A rerelease of Aleksei German’s 1998 satire is a journey into a hallucinatory world shot with documentary realism

An Elephant Sitting Still review – on the edge of despair in the new China

In his arresting final film, Hu Bo follows a string of characters struggling against injustice – and dreaming of escape

Return of the Hero review – Jane Austen meets screwball farce

This lively French romcom brings a modern sensibility to its tale of duels and deception in Napoleonic Burgundy

Mug review – overly obvious Polish drama

Cute devices and simplistic morals hamper this film, despite a promising beginning

Basements, Bruges and the easter bunny: the nine circles of film hell

From Georges Méliès to Lars von Trier’s The House That Jack Built, movie hells remain seriously in hock to the Judeo-Christian playbook

Meteors review – portents of tragedy in Turkey

The trauma of a state crackdown on one village finds celestial expression in this poetic film by Turkish director Gürcan Keltek

Carnival Night / Hakob Hovnatanyan review – a pair of pre-Christmas Soviet treats

A nimble 1950s Russian musical comedy is coupled with a restored 1967 short by the Armenian director of The Colour of Pomegranates

The Wild Pear Tree review – leaves flutter with significance

Nuri Bilge Ceylan’s latest epic tells the story of a graduate returning to his rural home

Plagi Breslau review – blood-spattered serial-killer thriller

Polish purveyor of graphic screen gore Patryk Vega unleashes another tide of visceral mayhem

Fantastic Beasts roars on as Robin Hood steals a weak second

Fantastic Beasts: The Crimes of Grindelwald holds strong for a second week, fighting off newcomers Robin Hood and Nativity Rocks!

Bernardo Bertolucci: the brilliant last emperor of highbrow cinema

Bertolucci, who has died aged 77, made his name as a film-maker of radical genius, but his reputation has been forever clouded by Last Tango’s sexual consent controversy

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Push for electrification finally takes centre stage in pre-Cop31 climate talks
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor

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