Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Swan Song review – amiable tale of a hairdresser’s final flourish

A celebrity stylist comes out of retirement to do the funeral preparation for his arch enemy in this insubstantial yarn

‘I know I’m not going to please everyone’: Lucile Hadžihalilović on her beguiling film-making

Story of Film director Mark Cousins talks to an emergent champion of slow-burn, surrealist cinema on the release of her debut English-language feature, Earwig

Olga review – political gymnastics drama sets the bar high

Gymnast Anastasiia Budiashkina gives an impressive performance as a rising star whose world is flipped upside down by the 2014 Ukrainian revolution

Pickpocket review – existential thrills in Robert Bresson’s study of a thief’s progress

Bresson’s 1959 film about a misfit who dreams of rising above conventional morals is a brilliant example of the cinema of ideas

Between Two Worlds review – Emmanuel Carrère’s jagged, furious tale of low-paid work

Newcomer Hélène Lambert excels alongside Juliette Binoche in this gritty drama about friendship and lies on the breadline

Mother and Son review – moving immigrant drama goes from Ivory Coast to Paris

A son reflects on the struggles he faced with his brother and wayward mother after they moved to France from Africa, in a meditative coming-of-age story

Pacifiction review – trouble in paradise, in apocalyptic Tahitian mystery

Benoît Magimel’s French high commissioner confronts the end of his personal Eden in Tahiti, in Albert Serra’s distinctive film

Nostalgia review – bittersweet crime yarn also homecoming love-letter to Naples

Tremendously shot and terrifically acted, this Neapolitan gangster drama from Mario Martone shatters the rose-tinted spectacles

Tori and Lokita review – clarity of purpose in the Dardennes’ parable of the dispossessed

The new film from double Palme d’Or winners focusses on a pair of young immigrants to Belgium who find themselves working in dangerous situations

Decision to Leave review – Tang Wei stuns in Park Chan-wook black-widow noir

Park’s tale of a married detective torn between infidelity and moral duty keeps the viewer off-balance at every turn

Forever Young review – endlessly tedious story of self-involved drama students

Valerie Bruni-Tedeschi’s latest Cannes lock-in is a woeful soap about aspiring actors in 80s Paris with neither the songs – or the soul – of Alan Parker’s Fame

Brother and Sister review – sibling battle with Marion Cotillard that leaves us all losers

The latest in Arnaud Desplechin’s overwrought oeuvre features plenty of film-making elan but not one line of plausible dialogue

Cairo Conspiracy (aka Boy from Heaven) review – stirring spy thriller set on an Egyptian campus

Egypt’s religious and secular institutions both breed mistrust in Tarik Saleh’s superbly realised paranoid nightmare

One Fine Morning review – Léa Seydoux sparkles in poignant drama

Mia Hansen-Løve returns to Paris with this powerful drama about a single mother torn between emotionally unavailable men

Russian Cannes contender defends Roman Abramovich as a ‘patron of the arts’

Dissident Russian film-maker Kirill Serebrennikov, whose film Tchaikovsky’s Wife received backing from the oligarch, has called for sanctions to be lifted

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Streeting warns against ‘expensive’ pledges in Labour leadership contest and defends bond markets – UK politics live
  • Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style
  • ‘David Bowie was a crazy workaholic’: Labyrinth at 40 – an oral history
  • The Death of Robin Hood review – Hugh Jackman darkens a heroic tale in grim drama
  • ‘He experienced a full life of trauma’: documentary explores troubled tale of Gregg Allman
  • ‘Streaming gave me a space to be myself’: Twitch creators on what it’s like to grow up on the platform
  • Girlfriends review – love and growing pains in queer coming-of-age tale that goes from Hong Kong to Taiwan
  • Alienated by Disclosure Day? You are not alone
  • Nightwatchers review – desperate struggle of migrant crisis under surface of picture-postcard ski resort
  • Florida lawsuit accuses TikTok of violating state’s child social media ban
  • Impact of social media ban for under-16s in UK hinges on how firm it is
  • The Guardian view on regulating big tech: the UK’s new, tougher approach to child safety is overdue
  • Technology secretary says she wants regulator to design plans for online age verification by October – as it happened
  • ‘The genie is out of the bottle’: parents react to UK under-16s social media ban
  • Forget makeup and tweakments: this is how we should be ageing gracefully
  • UK 16 and 17-year-olds: we would like to hear your views on the government’s social media ban for under-16s
  • ‘We’re coming for his ass’: Jane Fonda, Robert De Niro and Bette Midler target Trump at New York benefit concert
  • ‘What’s the opposite of a gay demon?’: The creepy new Australian horror film that’s getting global buzz
  • Man claiming to be One Nation branch official defended Hitler Youth and called Aboriginal people ‘stone age’ in racist posts
  • Spielberg’s Disclosure Day opens strongly at box office as Obsession, Backrooms – and Michael – smash records
  • Ian McKellen says he imagined destroying Mar-a-Lago for new Avengers movie
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • The Toymaker’s Key review – steampunk sci-fi animation is eclectic if overwrought
  • How Australia’s social media ban has affected families six months on
  • ‘Loving our country sounds like an abused spouse saying they love their abuser’: Robert De Niro leads crowd in rallying cry against Trump
  • Social media firms hit back as Starmer announces ban for under-16s in UK
  • The man who bought Diane Keaton’s nail clippers also owns Whoopi Goldberg’s teapot: ‘It will have her fingerprints on it’
  • Disclosure Day: alien conspiracies, car chases and a jaw-dropping climax – discuss with spoilers
  • Familiar Touch review – Kathleen Chalfant is wonderful in subtle, sensual memory loss drama
  • Angel’s Egg review – Mamoru Oshii’s dazzling 1985 anime is an eerie philosophical adventure

Contact www.richardhartley.com   Terms of Use