Richard Hartley

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Streaming: Benedetta and the best films about nuns

Paul Verhoeven’s lesbian nuns romance joins a heavenly sisterhood that ranges from Black Narcissus and Doubt to Viridiana

The Spirit of the Beehive director Víctor Erice to make his first feature in 30 years

Spanish auteur behind the 1973 arthouse hit will direct a new film, Cerrar los Ojos, due for release in 2023

Ode to the Spring review – Chinese exploration of pandemic ground zero in Wuhan

Telling five Covid-related stories, this platitudinous urban-interconnection drama offers lectures on virtue and self-sacrifice and feels like state propaganda

Some Interviews on Personal Matters review – offbeat Coppola-esque romcom from 1970s Tbilisi

A journalist discovers her husband’s infidelity in a poetic, pleasingly surreal drama by Georgian director Lana Gogoberidze

The Big Hit review – impressive French prison comedy-drama

Based on the true story of a drama teacher who worked in a high-security jail, this film crackles with charm and nervous energy

Moon, 66 Questions review – oblique view of a family reunion is a cinematic pleasure

Greek director Jacqueline Lentzou’s elliptical tale of an estranged father and daughter is a supremely confident debut

Streaming: Morbius and the best films about modern-day vampires

From Jared Leto’s biochemist in the Marvel film to the avenging feminist in A Girl Walks Home Alone at Night

The Big Hit review – feelgood prison comedy as convicts do Beckett

A curmudgeonly actor helps prisoners put on a production of Waiting for Godot in Emmanuel Courcol’s predictable drama

Wings of Desire review – Wim Wenders’ elegiac hymn to a broken cold-war Berlin

Shot when the city seemed forever divided by the wall, this intensely romantic story of an angel who longs for human love is unlike any other

Theo and the Metamorphosis review – provocative drama of nudity and hating

An initially intriguing slice of secluded life descends into hollow indulgence, the kind of film that gives arthouse cinema a bad name

Moon, 66 Questions review – elusive but rewarding study of family tension

Jacqueline Lentzou’s highly anticipated debut feature follows a daughter struggling to reconnect with her ailing father

Everything Went Fine review – François Ozon’s nimble study of assisted dying

The French director focuses on domestic dynamics rather than the moral issues in this naturalistic drama about a family crisis

Jean-Louis Trintignant: an actor of charisma, depth and dark emotions

The French veteran, who starred in some of the finest new wave films and won the best actor César for the end-of-life drama Amour, has died aged 91

Jean-Louis Trintignant, star of A Man and a Woman and Amour, dies aged 91

The veteran of the French new wave starred in a series of auteur-driven films, before appearing in Michael Haneke’s Amour

Il Buco review – arrestingly beautiful caving docudrama

Inspired by a 1960s Italian potholing expedition, Michelangelo Frammartino’s almost wordless film is spellbinding

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style
  • Anti-Burnham fake news on Makerfield Facebook accounts has surged, report finds – UK politics live
  • ‘David Bowie was a crazy workaholic’: Labyrinth at 40 – an oral history
  • The Death of Robin Hood review – Hugh Jackman darkens a heroic tale in grim drama
  • ‘He experienced a full life of trauma’: documentary explores troubled tale of Gregg Allman
  • ‘Streaming gave me a space to be myself’: Twitch creators on what it’s like to grow up on the platform
  • Girlfriends review – love and growing pains in queer coming-of-age tale that goes from Hong Kong to Taiwan
  • Alienated by Disclosure Day? You are not alone
  • Nightwatchers review – desperate struggle of migrant crisis under surface of picture-postcard ski resort
  • Florida lawsuit accuses TikTok of violating state’s child social media ban
  • Impact of social media ban for under-16s in UK hinges on how firm it is
  • The Guardian view on regulating big tech: the UK’s new, tougher approach to child safety is overdue
  • Technology secretary says she wants regulator to design plans for online age verification by October – as it happened
  • ‘The genie is out of the bottle’: parents react to UK under-16s social media ban
  • Forget makeup and tweakments: this is how we should be ageing gracefully
  • UK 16 and 17-year-olds: we would like to hear your views on the government’s social media ban for under-16s
  • ‘We’re coming for his ass’: Jane Fonda, Robert De Niro and Bette Midler target Trump at New York benefit concert
  • ‘What’s the opposite of a gay demon?’: The creepy new Australian horror film that’s getting global buzz
  • Man claiming to be One Nation branch official defended Hitler Youth and called Aboriginal people ‘stone age’ in racist posts
  • Spielberg’s Disclosure Day opens strongly at box office as Obsession, Backrooms – and Michael – smash records
  • Ian McKellen says he imagined destroying Mar-a-Lago for new Avengers movie
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • The Toymaker’s Key review – steampunk sci-fi animation is eclectic if overwrought
  • How Australia’s social media ban has affected families six months on
  • ‘Loving our country sounds like an abused spouse saying they love their abuser’: Robert De Niro leads crowd in rallying cry against Trump
  • Social media firms hit back as Starmer announces ban for under-16s in UK
  • The man who bought Diane Keaton’s nail clippers also owns Whoopi Goldberg’s teapot: ‘It will have her fingerprints on it’
  • Disclosure Day: alien conspiracies, car chases and a jaw-dropping climax – discuss with spoilers
  • Familiar Touch review – Kathleen Chalfant is wonderful in subtle, sensual memory loss drama
  • Angel’s Egg review – Mamoru Oshii’s dazzling 1985 anime is an eerie philosophical adventure

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