La Bohème

Dornhelm's production, shot in a Viennese studio, is fairly straightforward, and beautifully sung all round

Bicycle Thieves review – unbearably brilliant tale of poverty and a father’s humiliation

Vittorio de Sica’s study of study of a poor man in postwar Rome gives it an authentic sting – banal and a horrible loss of dignity

This is a highly effective depiction of the daily insults, injuries and injustices visited by Israel upon the Palestinians

Though beautiful to look at for a while, Béla Tarr's film is almost entirely lacking in conviction

Béla Tarr's film is no conventional cop thriller. It's an arresting nightmare all the same, finds Peter Bradshaw

If Douglas Sirk made films about samurai warriors, this might be the sort he'd make, says Peter Bradshaw

Ryan Gilbey on the films that time - or, to be more accurate, the distributors - forgot

A moderately enjoyable attempt to make a narrative from actual stills in this story of an edgy friendship

An unconvincing example of a genre that might be dubbed Art House Machismo

There is something admirably pure in the Dardennes brothers' artistic resolve, but also something puritanical

The look and feel of the movie is involving, but the ending is unconvincing in human terms, writes Peter Bradshaw

Wall-E | The X-Files: I Want to Believe | Fred Claus | Cinema 16: World Short Films

Sequel to Belle de Jour which nails down the mysteries of fantasy and dream life that Buñuel so audaciously left hanging

The story of what drove the Baader Meinhof gang to violence, and the way Germany reacted, makes for a powerful movie

A sprawling, episodic and interminable 70s period drama, ploddingly comparable to Steven Spielberg's Munich