This tale of a Norwegian drug addict's last day on Earth uses the same source material as Louise Malle's Le feu follet but lacks the latter's panache, writes Philip French
A dark Finnish take on the Christmas movie is a welcome surprise, but the less said about Jean-Luc Godard's directorial nadir the better, writes Mark Kermode
Grigori Kozintsev's adaptations of Shakespeare, shot on Baltic locations with fine central performaces, have worn particularly well, writes Philip French
She turned down the lead in Twilight and now stars in a film about sex work. Emily Browning tells Maddy Costa that yes, she knows exactly what she's doing