French actor Daniel Auteuil makes a solid directorial debut with this story adapted from a Pagnol novel – though it's perhaps on the old-fashioned side, writes Peter Bradshaw
It may be more than four hours long, but Raúl Ruiz's final film is an entrancingly strange, beautifully eccentric fable set in 19th-century Portugal, writes Peter Bradshaw
The florist who survived San Francisco's Aids epidemic, a triumph for Iranian cinema, and a lifetime achievement gong for Stephen Frears. By Jason Solomons
He is the great Russian director who once shot a whole film in a single take. Aleksandr Sokurov talks to Steve Rose about Soviet spies, fallen dictators – and how he got Putin to fund his latest work