Bullhead – review

Corruption, buried secrets and steroids abound in this bleak Belgian thriller, writes Philip French

Mark Kermode’s DVD round-up

Holy Motors might be one of the most bewildering films of recent years, but one thing it's not is boring, writes Mark Kermode

Nagisa Oshima: provocateur and poet

Peter Bradshaw: The Japanese director, who has died aged 80, deserves to be known for more than In the Realm of the Senses. He was a brilliant satirist who took aim at hypocrisy and confirmity

Trailer Trash

Jason Solomons: The Oscars and Baftas set for collision course, a bilingual adventure across the Pacific, and the dog that didn't make the cut

Hors Satan – review

Bruno Dumont's provocative drama about the nature of good and evil has echoes of both Pasolini and Dennis Potter, writes Philip French

Hors Satan – review

The wild, coastal landscapes where Bruno Dumont's antihero roams free from retribution create a lucid dream of violence and beauty, writes Peter Bradshaw

Zaytoun – review

The premise of this drama about a deal a Palestinian boy cuts with an Israeli pilot may be sweet, but it doesn't convince, says Peter Bradshaw

The Impossible – review

Ewan McGregor produces a sledgehammer performance as a father floundering in the aftermath of the 2004 tsunami in an intelligent drama by the makers of The Orphanage, writes Peter Bradshaw

Love Crime – review

Kristin Scott Thomas and Ludivine Sagnier are compelling leads in a glossy French thriller, writes Philip French

Dead Europe – review

Tony Krawitz's unsettling Mitteleuropean drama adds more weight to Australian cinema's new-found boldness, says Mike McCahill

Love Crime – review

Hammy acting, Japanese dinner-jazz and noir cliches all conspire to scupper the late Alain Corneau's tale of violence and obsession, says Peter Bradshaw