Jafar Panahi has been banned from making movies by the Iranian government. Which just makes his latest film all the more astonishing, writes Mark Kermode
Champion of the disinherited of postwar Italy, Pier Paolo Pasolini's masterworks reveal an obsession with martyrdom that foreshadowed his own wretched death. By Ian Thomson
Forget all those phoney Oscar-bait films – this complex, delicate drama about two young boys living through their parents' split is the real deal, and deeply satisfying, writes Peter Bradshaw
Lars von Trier's avowedly hardcore film The Nymphomaniac has released its first image – but does it really whet appetites for what has promised to be one of the most controversial films ever?