The acting's great - but there's a smaller, fiercer movie trying to burst out of this drama about a tyrannical woman on her deathbed, writes Peter Bradshaw
Pedro Almodóvar's air steward farce could be some kind of national allegory – but the great director's real interest lies in returning to the good-natured sex comedy of his youth, writes Peter Bradshaw
The award-winning film director picks her cultural highlights of the moment, from Michael Haneke's Amour to The Book of Mormon. Interview by Corinne Jones
When a Nazi collaborator is led into the Belarusian forest to be executed, why doesn't he protest? Loznitsa's lacerating film explores the agonies of war and puts European history on trial
Mathieu Kassowitz, as star and director, is front and centre of this account of an unfortunate 1980s French colonial intervention, writes Peter Bradshaw
Mathieu Kassovitz was hailed as the heir to Truffaut after making La Haine. So why has he renounced French cinema after making his new film, Rebellion? Steve Rose finds out