I Am Nasrine – review
Two exiled Iranian siblings try to adapt to life in the UK in Tina Gharavi's promising first full-length film, writes Philip French
Paradise: Love – review
Ulrich Seidl manages to find fresh perspectives on sex tourism, but perhaps he is descending into mannerism, writes Peter Bradshaw
Thérèse Desqueyroux – review
Audrey Tautou is impressive as a wife desperate to escape her suburban life in this adaptation of the 1920s novel, writes Philip French
009 Re: Cyborg – review
Chris Michael: A team of ethnically stereotyped cyborgs fight for justice in a post-9/11 world but get bogged down in metaphysical blather
Come As You Are – review
The twist in this crowdpleasing post-Porky teenpic is that the three horny boys trying to lose their virginity have disabilities, writes Mike McCahill
Thérèse Desqueyroux – review
Audrey Tautou gives an opaque performance as the fatally ambiguous heroine in this intriguingly oppressive drama, writes Peter Bradshaw
Populaire – review
Boy meets girl meets typewriter in this witty French take on classic Hollywood romcoms, writes Philip French
Blue Is the Warmest Colour is too moving to be porn
Peter Bradshaw: Julie Maroh, as author of its source novel, has unique credentials to comment, but for what it's worth I felt the film's descent into agony and tears took it clear of titillation
The best films for summer 2013
Peter Bradshaw: Michael Douglas steps into Liberace's shoes, the Man of Steel returns, and Simon Pegg and Edgar Wright complete their Britcom trilogy
Cannes 2013: landmark lesbian romance Blue Is the Warmest Colour wins the Palme d’Or
Abdellatif Kechiche's epic and explicit love story beats the Coen brothers into second place, while Bruce Dern wins out over Michael Douglas for best actor and Amat Escalante surprise victor for best director
Mark Kermode’s DVD round-up
Hyde Park on Hudson is a royal muddle saved by some fantastic performances, writes Mark Kermode
Olivier Assayas on Something in the Air: ‘A rock concert, a party, a riot – these are the rites of passage’
Olivier Assayas's new film is set amid the fallout of the May 68 uprising and the rebellious antics of its hero recall the director's own youthful protests. He talks to Ryan Gilbey about adrenaline rushes and breaking rules
Cannes 2013: Heli – review
Amat Escalante's damning indictment of contemporary Mexico is tough to watch at times, but its horrors demand our attention, writes Catherine Shoard
Mark Kermode’s DVD round-up
Tom Hooper's Les Misérables is never knowingly understated and all the better for it, writes Mark Kermode
A Hijacking – review
Tobias Lindholm's Danish hostage thriller is a lesson in how things should be done – and not just on-screen, writes Philip French