Like Father, Like Son – review
An intelligent drama from Japanese director Hirokazu Kore-eda about a baby mix-up is charming, but not his best work, writes Peter Bradshaw
Top 10 sci-fi movies
A long time ago, in a land far away... there were no space movies. Luckily, we have lots and the Guardian and Observer's critics have picked the 10 best
Nobody’s Daughter Haewon – review
Hong Sang-soo's subtle tale of a teacher-student romance has hidden depths, writes Mark Kermode
Blue is the Warmest Colour ‘banned’ in Idaho as sex and alcohol don’t mix
Alcohol licensing laws which prohibit screening of films with a sexual nature stops arthouse cinema from screening Palme D'Or winner
Nobody’s Daughter Haewon – review
This gentle, humorous drama about a troubled student is a useful introduction to eccentricities of Korean director Hong Sang-soo, says Peter Bradshaw
Snowpiercer director reportedly furious about Weinstein English-version cuts
Bong Joon-ho unhappy about heavy editing of his South Korean sci-fi blockbuster by Bob and Harvey Weinstein's film studio
The Artist director secretly filming Chechnya child search drama
Michel Hazanavicius reassembles Oscar-winning team including Bérénice Bejo to shoot The Search in Georgia, writes Ben Child
Spanish film-makers hit back at ‘cultural war’ on funding
Leading directors accuse 'scared' government of political motive for slashing cinema financing
Blue is the Warmest Colour release ‘should be cancelled’, says director
Abdellatif Kechiche, the director of the Cannes hit, has expressed unhappiness about the impact of negative publicity on his own reputation and his film's legacy
Guy Lodge’s DVDs and downloads
Sarah Polley's family documentary is compelling, while Netflix has a treat for Paddington Bear nostalgists, writes Guy Lodge
Metro Manila – review
British director Sean Ellis makes a distinctive marriage of social drama and crime thriller in this Philippines-set film, writes Steve Rose
The Artist and the Model – review
Fernando Trueba's meditation upon the nature of art offers few surprises, but is easy on the eye, writes Mark Kermode
The Artist and the Model – review
The usual male-gaze reservations apply to this film that romantises the relationship between an aged artist and a young woman. The ravishing shooting style soon wears off
Classe Tous Risques – review
Claude Sautet's hard-boiled and absorbing 1960 thriller features a breathtakingly stylish Jean-Paul Belmondo, writes Peter Bradshaw
Claudia Cardinale: ‘I don’t want to stop’
Sixties screen siren Claudia Cardinale talks to Steve Rose about entrancing Fellini, spurning Brando – and why appearing in 135 films still isn't enough