Child’s Pose – review
A woman uses a tragedy to claw her way back into her son's life in Calin Peter Netzer's tense drama, writes Peter Beech
New York cinema criticised for letting teens view Blue is the Warmest Colour
Pressure group complains after New York's IFC Center flouts the film's NC-17 rating, saying the explicit drama is suitable for 'mature, inquiring teenagers'
From the archive, 01 November 1993: Federico Fellini, giant of film, dies
Originally published in the Guardian on 01 November 1993: Italy leads the world of cinema in mourning a man whose films were a blend of reality, wit, fantasy and brazen self-indulgence
The Nun – review
Isabelle Huppert is a horny mother superior in an adaptation of the Diderot novel that gets the original's prankish intentions, writes Henry Barnes
The Taste of Money – review
Im Sang-soo's tale of a young man entangled in corporate crime examines sexual politics and wealth in style, writes Mark Kermode
Abdellatif Kechiche interview: ‘Do I need to be a woman to talk about love between women?’
Abdellatif Kechiche won a Palme d'Or for his latest film, Blue Is the Warmest Colour. But the film's young stars have said they'll never work with him again. He talks to Jonathan Romney
Nosferatu: A Symphony of Horror – review
FW Murnau’s unauthorised 1922 adaptation of Dracula inspired countless thriller storytellers after him, including Hitchcock, writes Peter Bradshaw
Wolf Children – review
Lycanthropy becomes a metaphor for puberty in this photorealistically drawn, touching animation that beats Twilight at its own game, writes Chris Michael
A Magnificent Haunting – review
A troupe of Turkish-Italian ghosts turns up to keep a lonely actor company – but Ferzan Ozpetek's light comedy is frustratingly unresolved, writes Chris Michael
Skylab – review
Julie Delpy's second directorial effort is a garrulous, charming argument against Sarkozy's joyless economic crusade, writes Peter Bradshaw
The Taste of Money – review
Im Sang-soo's deft portrayal of a wealthy South Korean family torn apart by greed and lust could boost his international profile, writes Peter Bradshaw
Blue is the Warmest Colour director appears to threaten legal action against lead actor for slander
Director Abdellatif Kechiche says 'it is for her to explain in court' after Léa Seydoux described the shoot as 'horrible'
Top 10 arthouse movies
Elitist and pretentious, or an endangered species? Whatever your feelings, there's no doubt that arthouse movies are among the finest ever made. Here the Guardian and Observer critics pick the 10 best
Like Father, Like Son – review
Two families discover that their children were switched at birth in a rewarding Japanese drama, writes Mark Kermode
The Broken Circle Breakdown – review
A bluegrass-loving couple are joined in tragedy in this immensely moving drama, writes Mark Kermode