Richard Hartley

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New home, new outlook? What’s next for the Sundance film festival?

The final Utah edition of the hub for American independent film saw slow sales and a mixed bag of movies but a future in Colorado could bring a refresh

Meryl Streep cast as Joni Mitchell in new biopic

The Oscar-winning actor will star in the Cameron Crowe-directed feature about the singer-songwriter’s life

‘Playing a god became a safety net’: Chris Hemsworth opens up about Thor, money and his insecurities

In the Marvel films he was unassailable, but in real life the actor says he’s more like the anxious thief he plays in Crime 101. He and its writer/director Bart Layton talk midlife angst, imposter syndrome – and Alzheimer’s

New Scrubs, Muppets and Lord of the Flies: what’s new to streaming in Australia in February

Plus Jurassic World Rebirth, Paul McCartney documentary Man on the Run, and a sharply observed dramedy about open marriages

‘Crime is a disease. Meet the cure’: Sylvester Stallone’s self-serious cop movie is ludicrous fun

Cobra’s politics are definitely on the iffy side and it takes itself very seriously indeed – but there’s absolutely no reason for you or I to

I confessed a deplorable secret about motherhood to a friend – and it changed my life

The ‘mum noir’ film If I Had Legs I’d Kick You brought back the difficulties of those challenging early days of parenthood, and the conversation that freed me up emotionally, writes Polly Hudson

Ashes and Diamonds review – Poland faces bleak postwar realities in Andrzej Wajda’s 1958 masterpiece

Polish fighters contemplate their future in Wajda’s 1958 film in which the war’s end, far from being a cause for celebration, marks a crisis of identity for their country

The Shepherd and the Bear review – two endangered species scrap for survival in the Pyrenees

Farmers oppose the reintroduction of brown bears in Max Keegan’s immersive and beautiful documentary that resists snap judgments

‘I was still black the next morning’: Halle Berry says Oscar win didn’t change her career

The actor says her historic 2002 best actress Oscar did not open doors in Hollywood, as studios remained wary of stories led by black performers

‘It’s a fun cocktail!’: the Wooster Group’s head-spinning blend of high and low art

In wonderfully bewildering shows, New York’s venerable avant garde theatre company mash together everything from baroque opera to sci-fi B-movies. Their next trick? A seance-style tribute to an old friend

Frontier Crucible review – Armie Hammer makes cautious acting return in talky, slow-burn western

A cast of handsome dudes, some beautiful scenery and violence reminiscent of 2015’s Bone Tomahawk make this a watchable, if plodding, ride

It’s the Hollywood sensation we’re all enjoying: ageing cinema megastars lured to a TV screen near you

The stars get big audiences and complex characters to develop. We’ve lucked out in this golden age of streaming shows, and so have they, says arts writer Fiona Sturges

Sham review – Takashi Miike revisits infamous ‘murder teacher’ trial in unflinching courtroom drama

Based on a real-life case of a teacher charged with abusing a child, Japan’s master of the extreme doesn’t sit on the fence in this two-sided retelling

Melania: Amazon’s $106m documentary takes $982 per screen in Australian opening weekend

Documentary about the US first lady debuted at No 31 at Australian box office, making $32,399 from 33 screens

Roman Polanski rape scandal movie to follow perspective of 13-year-old victim

The Girl, based on Samantha Geimer’s memoir, will revisit ‘one of Hollywood’s most notorious scandals through the eyes of the person most misrepresented by it’

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Dr TikTok: patients diagnose chronic illnesses with anonymous commenters’ help
  • Is AI the greatest art heist in history?
  • Lifestyle blogger said to have inspired Devil Wears Prada character uses unpaid student interns
  • From Andrew Tate to Mountbatten-Windsor, my first name has been dragged through the mud. Can a global community of ‘Drews’ help change that?
  • AI companies know they have an image problem. Will funding policy papers and thinktanks dig them out?
  • ‘Too powerful for the public’: inside Anthropic’s bid to win the AI publicity war
  • New documentary reveals boyband 98 Degrees had age-of-consent manual while touring in 90s
  • ‘Your photos will be deleted’: Apple users warned over ‘nasty’ iCloud storage scam
  • Brian Cox: ‘We don’t know how powerful AI is going to become – it’s both exciting and potentially a problem’
  • ‘It has your name on it, but I don’t think it’s you’: how AI is impersonating musicians on Spotify
  • ‘Abhorrent’: the inside story of the Polymarket gamblers betting millions on war
  • Congratulations to the Artemis II crew – but the case for sending astronauts into space is rapidly shrinking
  • Celebrity on celebrity: are we losing the art of the big star interview?
  • From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead
  • OpenAI CEO Sam Altman’s home targeted with molotov cocktail
  • The Guardian view on dystopias for our times: the American nightmare
  • ‘Butter Birkin’: popcorn plastic It bag in demand by Devil Wears Prada fans
  • Fifteen-year-old Noah hasn’t been kicked off any social media platforms – he’s still fighting Australia’s under-16 ban in court
  • The sheila is returning to Australian culture, riding on a new wave of ‘bogan feminism’
  • Critics assemble! Here’s my list of the greatest superhero movies of all time
  • Amazon to finally launch Leo satellite internet in ‘mid-2026’, says CEO
  • Bafta apologises for events surrounding John Davidson’s Tourette’s outburst
  • US summons bank bosses over cyber risks from Anthropic’s latest AI model
  • Pillion to Roofman: the seven best films to watch on TV this week
  • AI products are reaching further into our lives. Does it matter who controls the companies behind them?
  • Thrash review – cursed shark thriller sinks like a stone on Netflix
  • ‘Irresponsible failure’: Google, Meta, Snap and Microsoft slam EU over child sexual abuse law lapse
  • I baulked at the idea of ‘friction-maxxing’. But there’s more to it than meets the eye
  • Reform UK voters least likely to see social media posts from family and friends, study finds
  • Fortune Feimster: ‘The stage was a crate, the sound system was a karaoke machine. No one enjoyed the show’

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