Richard Hartley

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Why are respected film-makers suddenly embracing AI?

From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their films

‘Muslim kids are really underrepresented’: the animated movie where medieval maths meets eager young minds

Time Hoppers: The Silk Road is a time-travel adventure whose child heroes must save the legacy of Islamic scholars who shaped modern science. Its makers reveal their inspiration, and reflect on their success

‘The witches are back’: first look at Practical Magic 2 as Sandra Bullock and Nicole Kidman return for spooky sequel

The Kissing Booth’s Joey King and Game Of Thrones’ Maisie Williams star alongside the original cast members as the next generation of the cursed Owens family

Wardriver review – bank scammer Dane DeHaan goes for the triple cross in venal neo-noir

Thriller from director Rebecca Thomas paints a convincingly hoodlum world where every table is turned

Scarborn (Kos) review – rumbustious period epic stirs up trouble in 18th-century Poland

When a veteran of the American war of independence returns to his native country with popular rule on his mind dangerous passions ignite

‘I’ve had white knuckle moments’: Michael Socha on This Is England, his patchy beard – and seedy new casino thriller The Cage

As he stars alongside Sheridan Smith as a casino boss on the take, the actor talks about leaving school with no qualifications, playing vile dads – and why he’s eager to circulate the This Is England reunion rumour

Is Sacha Baron Cohen and Rosamund Pike’s new gender swap comedy inspired by The Two Ronnies?

Long-running 80s sketch The Worm That Turned imagined a dystopian world run by women, inspired by the election of Margaret Thatcher. It has not aged well – yet it bears similarities to a brand-new movie

Charlize Theron joins chorus of disapproval over Timothée Chalamet’s ballet comments

The former ballet dancer said Chalamet’s comments were ‘reckless’ in an interview with the New York Times in which she also discussed her violent childhood

London’s Last Wilderness review – mudflats meets Mad Max towers on eccentric estuary voyage

Through the eyes of an unseen explorer, Pablo Behrens’s experimental documentary takes us on an engaging but indulgent journey along the Thames estuary

The Trial review – searing record of Argentina’s courtroom reckoning with its brutal ‘dirty war’

Footage from the 1985 Trial of the Juntas is expertly edited into a documentary providing unforgettable witness to the repression that ‘disappeared’ thousands

‘We wasted a lot of lives’: CIA spymaster’s caution over past Iran intervention resurfaces from beyond the grave

A documentary about Peter Sichel – the ‘Jewish James Bond’, whose wine portfolio boasted Blue Nun – includes striking mea culpas about the cost and efficacy of US involvement in the Middle East

Primavera review – Vivaldi’s Four Seasons is school-of-Salieri backdrop for period musical biopic

The composer has a musical relationship with a teenage violinist in this lifeless adaptation of a novel by Tiziano Scarpa

‘It’s about finding light in the dark’: why Harold and Maude is my feelgood movie

The latest in our ongoing series of writers recommending their favourite comfort watches is a pick for 1971’s unusual romantic comedy

TV tonight: Romeo and Juliet gets a gritty gangster twist

Will Shannon and Arran’s lust at first sight win over their rival crime families? Plus: how the tragedy of Chernobyl unfolded. Here’s what to watch this evening

Rebel Wilson accused in court of trying to paint actor as ‘money grabbing opportunist’ as defamation trial begins

Wilson denies allegations made by Charlotte MacInnes, who she claims told her about uncomfortable situation with producer

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Citizen Vigilante review – Armie Hammer returns to obliterate the imaginary woke piñata of Europe-stan
  • Blake Lively files to receive $8m in legal fees from Justin Baldoni and his studio
  • Silicon Valley donations make Colorado Democratic primary one of state’s most expensive
  • The Three Musketeers: D’Artagnan brings genuine thrills – and a massive budget – to a well-trodden tale
  • UK watchdog plans to break Apple and Google’s ‘effective duopoly’ on mobile app stores
  • Spider-Man’s web of lies: what would actually happen if you were bitten by a radioactive spider?
  • Why is Elon Musk boosting an anti-immigrant film loved by the far right?
  • Number of billionaires globally soars by 13% amid AI shares boom
  • Rocky week for AI as shares slump but no sign of crash – yet
  • Supergirl: doggy distress, frontier justice and a new direction for superhero movies – discuss with spoilers
  • UK ‘minded’ to intervene in Paramount’s $110bn takeover of Warner Bros Discovery
  • Michael Byrne obituary
  • Elon Musk promotes ‘anti-migrant’ Armie Hammer film with free download on X
  • Doubt that Elon Musk ‘earned’ his trillion? Rightwing media says you’re in an ‘impotent envy cult’
  • The original Moana: did a 1926 documentary give birth to a 21st century Disney blockbuster?
  • The Invite review – Seth Rogen adds zest and bite to fruity dinner party comedy
  • Not a Pretty Picture review – Martha Coolidge’s recreation of her rape remains shockingly powerful
  • Oura Ring 5 review: a stunning generational leap for smart rings
  • Executioner review – sleazy MP hams it up with sex worker in darkly comic blackmail thriller
  • Ireland is big tech’s lapdog – and that compromises its EU presidency
  • ‘There’s this deep mystery of what, actually, is this thing?’: the philosopher inside Google DeepMind AI
  • Crypto firms operating in UK to be subject to sweeping new rules
  • US supreme court rules geofence warrants require constitutional privacy protections
  • Shares in chipmakers underpinning AI boom rocket in first half of 2026
  • Comcast to spin off NBCUniversal and Sky into separate media business
  • Ministers likely to support law change to allow delivery robots on England’s paths
  • ‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?
  • ‘A very good gadget’: taking delivery from the robots of Milton Keynes
  • Once, cyber-attacks required great skill. AI is changing that
  • Done Quixote? Film archivists on quest to finish Orson Welles passion project

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