Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
With Edgar-Jones and Esmé Creed-Miles as the Dashwood sisters, this fresh take on a beloved classic is not to be confused with Ang Lee’s
‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
From a jail-inspired light sabre fight to the moment a sax-player flew, Take It or Leave It brilliantly captured the band’s grimy origins. Will the film’s return see it finally honoured as a music movie landmark?
Dunesday: will this be Barbenheimer on steroids – the biggest weekend of cinema ever?
Since the mammoth success of the films Barbie and Oppenheimer in 2023, Hollywood has taken to jointly marketing movies released on the same day – and December’s matchup of Dune: Part Three and Avengers: Doomsday could break all records
The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
The rugged roads and lush vegetation of southern Portugal are showcased in this weaving-together of disparate threads of history and landscape
Heart of the action: why organ couriers are cinema’s new heroes
Whether its a nod to frontline Covid heroes or a return to biology in a world of digital noise, there’s a rich vein of new films featuring organ deliveries, including Runner and the latest Resident Evil
‘Still feel a jolt of joy’: why Dirty Dancing is my feelgood movie
The latest in our ongoing series of writers highlighting their most rewatched comfort films remembers a 1987 teenage girl classic
Rising Up at Night review – community spirit shines bright in Kinshasa’s shadows
Religion and collective resilience are beacons of hope in an electricity-deprived DRC in this otherworldly documentary debut
Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
Simple but emphatic martial arts and a couple of classy cameos are all that give this blandly modern action film a fighting chance
La Bola Negra wins Toronto film festival people’s choice award
The queer period drama wins Oscar-predicting award, being named the most popular audience film at the festival
Readers reply: what would be the most useful superpower?
The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts
‘Resident Evil movies? I’ve never seen one’: Weapons director Zach Cregger on resurrecting the beloved zombie franchise
Raised on punk, alt-comedy and the church, Cregger’s Lynchian approach to horror is anything but typical. After two wildly original hits, his pivot to a 30-year-old video game has caused a storm among protective fans
Hunk – or ‘unc’? What magazine covers of Michael B Jordan and Tom Cruise tell us about manhood
Images of two actors on front of Vogue and GQ land at a time when masculinity is increasingly dominating headlines
‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
Canada’s citizens are finding unity again in the story of the man who ran cross-country on one leg to raise awareness for cancer research
John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
The creator of How To with John Wilson has returned with his first film, a documentary about how to sell a documentary about concrete
‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
The Irishman seems a dead cert for his performance as Ian Charleson in Elsinore. And his ability to avoid being pigeonholed while embracing queer stories, from Pride to All of Us Strangers, is a remarkable achievement