Richard Hartley

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Ancestral Visions of the Future review – visceral cine-memoir is a haunting return to Lesotho

Lemohang Jeremiah Mosese pairs his literary-grade voiceover with propulsive, prophetic images to interrogate his identity and that of his colonialism-carved homeland

Harry Potter fans force relocation of £430m undersea cable to avoid Dobby’s ‘grave’

Power cable linking UK and Ireland now passes near Bronze Age human burial remains instead of fictional grave on Welsh beach

It’s not just the Odyssey effect: poetry is booming because it’s the only language for these times of violence and chaos

From Homer’s epic to conflicts in Ukraine and Gaza, we can see how poetry fills the gap when ordinary ways of writing or speaking aren’t enough, says Guardian chief culture writer Charlotte Higgins

Mermaid Beach review – Wales gets its mermaidcore moment in teen-empowerment tale

When discontented Lily becomes a fantastical sea creature her low-budget transformation is strikingly unconvincing, rather in tune with the whole film

UK manufacturers face rising hacking risk as survey shows 30% were hit last year

Big companies describe being under constant threat but only half have a plan in place to respond to an attack

Movie paradise? How Malta became a magnet for big film shoots

EU’s smallest country has played ancient Rome, the Land of Spells and Bay of Pentos and draws more than 30 productions annually

I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war

A couple attempting to leave Ukraine when the war begins encounter gender identity issues in this bold and challenging film

‘Watch The Odyssey for free online’: scam targets film fans with fake streaming sites

Those tempted to access fake websites run risk of phishing scams and having computer infected with malware

Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years

In the acclaimed new drama Tony, the early career of the late food writer and chef is brought to life, and those who knew him best are now also looking back

Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’

The Dutch creator of the controversial trilogy set to detail struggles with neurological disease in homemade documentary, after spending six years ‘as a recluse’

The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal

In this week’s newsletter: You’re all wrong about the most maligned seats in the house, which offer the purest form of moviegoing

‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors

At 22, Ramsey has already been on our screens for a decade, and nominated for every award going. So why do they find it strange to be called an actor?

From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead

Vicky Krieps puts her heart on the line in Anna Cazenave Cambet’s romantic drama, and the Glaswegian comedy superstar is back on stage for a massive UK tour

From The Shards to Phoebe Bridgers: the week in rave reviews

Ryan Murphy and Brett Easton Ellis team up for a retro serial-killer drama, and the California songsmith is back with a remarkable new album. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

Tony Jones: ‘I’m very far from being an activist’

The journalist turned film-maker on empathy, his investigation into animal testing, and life in one of Australia’s most enduring media power couples

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Probation officers vote for strike action after warning early releases will add to excessive workloads – as it happened
  • Edgier than the TV series, Michael Mann’s take on Miami Vice is gritty and intoxicating
  • ‘Everything about me is good in his eyes’: the women in China choosing AI boyfriends over human men
  • Spotify to distinguish AI artists from real people – and stop recommending them
  • Never Had a Chance review – a slice of gritty British Asian life with a side of drug dealing and addiction
  • Meta faces expensive child safety reckoning
  • Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’
  • Meta glasses banned from courts in England and Wales
  • Experts are warning: our AI arms race is putting humanity at risk
  • Momo and the Time Thieves review – kids’ fantasy jaunt sticks the boot into capitalism
  • AI’s potential climate benefits outweighed by role in boosting fossil fuels, study finds
  • How to buy a bike: expert tips for finding the right budget, frame and fit
  • ‘I’m giving people a happy space’: the man clearing gardens for free – and letting light into strangers’ lives
  • ‘A horrible nightmare’: the shocking story of the eBay harassment scandal
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • Gangs using Airbnb-type rentals as drug stash houses, top Belgian official says
  • The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas
  • Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing
  • Trump’s media company, which also owns Truth Social, reports $238m loss
  • Zuckerberg pushes ‘superintelligent’ AI for all as Meta drops open-source model
  • The Guardian view on Meta’s smart glasses: regulators must get on the front foot
  • Bernie Sanders calls on Silicon Valley to ‘pause AI development’ in interest of humanity
  • Barack Obama launches podcast about books that ‘shaped his worldview’
  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’
  • Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
  • This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
  • How to feel optimistic in the face of crisis? Ask the kids fighting slug-like aliens
  • What happens when medical students rely on AI – and never develop their own judgment?
  • Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?
  • RL Stine’s Pumpkinhead review – horror from Goosebumps writer has kid confined inside large fruit

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