Teenage Sex and Death at Camp Miasma review – Gillian Anderson superb in queer slasher spectacular

Cannes film festival: Young indie film-maker Kris tracks down Anderson’s Final Girl for a remake of a beloved horror, to find fantasy and reality collapsed

The Christophers review – Ian McKellen and Michaela Coel are the double act of the year

Steven Soderbergh and Ed Solomon provide a vision of haughty Englishness up there with Gosford Park and Phantom Thread

‘Do you want all the scenes to be penetrative?’: how working with an intimacy coordinator made my film better

Largely shunned in France, the work of these consultants is now being recognised at Cannes. Film-maker Anubha Momin describes how they make for more confident movies – and directors

‘There was a lot of addiction and trauma in my family’: why Drag Race winner Jinkx Monsoon plays a perfect Judy Garland

As she takes on the icon in musical drama End of the Rainbow, Monsoon recalls a childhood spent watching Wizard of Oz on repeat – and explains why audiences are ready for trans performers in non-trans roles

LifeHack review – old-school heist movie updated for the meme age

Ronan Corrigan levels up a thoroughly beta-tested narrative in this efficiently executed hacker-turned-thief split-screen thriller

‘Oh my God, did my dad and I fight’: Olivia Colman on triggers, trans rights and sexual regret

John Lithgow plays the gay and often nude septuagenarian father of Colman’s character in Jimpa, a new story of intergenerational queerness. She explains why her own dad would have ‘sat and cried all the way through it’

A Woman’s Life review – a breezy comedy of midlife crisis and same-sex affair

Cannes film festival: Léa Drucker gives a bravura performance as a brilliant surgeon whose already chaotic life is further complicated by a same-sex affair with a journalist

Butterfly Jam review – Barry Keoghan can’t save this New Jersey misstep

Cannes film festival: The Irish actor plays a disillusioned Circassian chef with a knack with animals in Kantemir Balagov’s clunky third film

Life Could Be a Dream review – a powerful, polished Australian film about domestic abuse

Director Jasmin Tarasin weaves richly layered moments between mother and son – and darker flashbacks to what they left behind

The Devil Wears Prada sold me the journalism fantasy. The sequel captures the unglamorous reality

I don’t know a single journalist my age who hasn’t ricocheted around the rapidly shrinking media industry, through multiple buyouts, redundancies and pivots to video

Nagi Notes review – clear, calm light shed on criss-crossed family passions

Cannes film festival: Set in a beautifully filmed provincial Japanese town, what could have been a soapy drama is told with poetic restraint and subtlety by Kôji Fukada

How Michael Jackson’s tarnished image is being cannily rehabilitated

A new biopic has contributed to an atmosphere that casts the late singer as a profoundly damaged figure who is more victim than victimiser

‘It screws with your mind’: Jennie Garth on 90210 fame in her 20s – and speeding up in her 50s

She shot to fame as a teenager, but always felt like an outsider in Hollywood. Now she has started a podcast and written a memoir for women who find themselves at a standstill

Carla Simón: ‘In Spain people use words like shame and blame. But my parents just had bad luck‘

The rising star of Spanish cinema discusses being orphaned at six, new feature Romería and why she always works with children

Normal review – Fargo meets The Firm in cheerfully weird Bob Odenkirk small-town thriller

Odenkirk plays a washed-up sheriff whose arrival in an eerily wholesome Minnesota town sets off a chain of violence, corruption and savage Ben Wheatley shootouts