Richard Hartley

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Are you sitting uncomfortably? How Backrooms upended the horror movie

It was just a creepy picture on the internet. Now it’s the year’s freakiest film. Its 20-year-old auteur Kane Parsons and stars Chiwetel Ejiofor and Renate Reinsve take us through the terrifying labyrinth

Parallel Tales review – Isabelle Huppert pens furtive sexual fantasy for Vincent Cassel in Asghar Farhadi’s latest

Cannes film festival: Iranian auteur Asghar Farhadi returns to France with this intriguing middleweight meta-drama featuring a cameo from Catherine Deneuve

Fatherland review – Sandra Hüller brings a bayonet of intelligence to Paweł Pawlikowski’s taut return

Cannes film festival: Hanns Zischler stars as Thomas Mann on his 1949 tour of Germany, contending with political barbs, personal tragedy and his daughter, played by an extraordinary Hüller

Hannah Einbinder: cost of not speaking out on Palestine is greater than losing career

Hacks star spoke at Cannes about fallout from pro-Palestine comments and joining a tradition of Jewish allies

Please stop making music biopics. We need a break from this tired genre that is essentially expensive karaoke

With the release of Michael and not one but four Beatles feature films under way, I am once again calling for a moratorium on these films (with one exception)

‘It’s a distraction-free zone’: Gen Z on why they love going to the movies

Filmgoers born after 1997 are reviving cinemas’ hopes of survival. They tell us about the social experience where ‘there’s absolutely no commitment to chat’

Is God Is review – fiery revenge thriller flies from stage to screen

There are echoes of both Kill Bill and Thelma & Louise in Aleshea Harris’s sharply told tale of sisters heading to kill their father

Top Gun review – now impossible to view Tom Cruise’s testosterone-swamped film without affection

This gave a young Cruise entry into the A-list, as the brilliant, courageous rule-breaking pilot, frenemy of Val Kilmer and in love with Kelly McGillis

Post your questions for Tom Hanks and the cast of Toy Story 5

Tim Allen, Joan Cusack and Greta Lee join Hanks to answer your enquiries about the forthcoming animation and its previous instalments

Spit, vomit and a banned baby: Cannes controversies – ranked!

For every standing ovation there’s a riotous backlash – the film festival’s history is littered with boos, protests, furious rows and career-defining disasters

Fit for a king: Ian McKellen to play Lear at newly rebuilt Yard theatre in east London

Role marks a major return for the actor after falling off the stage in 2024 and is a coup for the forward-thinking theatre

Space Jam review – Michael Jordan’s 90s merch-hocking basketball blockbuster rises again

The Jordan-fronted live-action/cartoon hybrid is 30 years old – and with its R Kelly soundtrack, it feels it. Cue Seinfeld’s Wayne Knight to rescue it for a second time

Anderson juices up the vibes for Dior with spotlight on Hollywood

Designer suggests decision to stage show in Los Angeles is part of strategy to deepen label’s cinema presence

‘I never thought people might feel threatened by us’: YouTuber Curry Barker on his big horror ascent

The 26-year-old has received rave reviews for his micro-budget horror Obsession, support from Ari Aster and control of a Texas Chain Saw Massacre remake

‘There are no rules’: spotlight on Gossip Goblin as AI film-making enters new era

Defying criticisms of ‘slop’ and ‘theft’, the growing culture of AI-powered creativity is attracting interest from Hollywood

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Australian with retirement savings? You probably own SpaceX
  • ‘Crypto v community’: 4,000 local US lenders join forces to fight ‘stablecoins’ law
  • When it comes to taxing the super rich, there’s no need to reinvent the wheel
  • ‘It’s dangerous and it’s going to erode trust’: redesign of US government websites stokes surveillance fears
  • ‘Tech firms are losing the public’: social media age bans near tipping point
  • I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’
  • Two prime ministerial resignations, 10 years apart: ‘Brexit represents a kind of faultline in British history’
  • Lost your crypto access code? Be wary, there‘s a scam for that too
  • ‘Enforcement mode’: Australia must take fight to tech giants to make social media ban stick, experts warn
  • Still blazing after all these years: Mel Brooks at 100
  • Pro-One Nation Facebook groups appear to be run by foreign ‘meme factories’ that monetise content
  • Abbie Chatfield: ‘Someone told her worst dating story. I lay on the floor of the stage and screamed’
  • The AI bubble has further to run despite the looming crash
  • Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes
  • Australia to double penalty for social media ban breaches to $99m as tech giants accused of ‘not doing enough’
  • Today programme suffers ‘body blow’ as BBC prioritises social and digital content
  • Screen time can damage under-twos’ development, landmark study suggests
  • Brassed Off review – stirring tale of coal and cornets moves Yorkshire audience to tears
  • Watching Brokeback Mountain kept me in the closet
  • Social media bans go global: big tech faces a reckoning after Australia’s crackdown
  • From Supergirl to Muse: your complete entertainment guide to the week ahead
  • Hikers lost in Kosciuszko national park rescued within five hours by AI drone
  • How Australian hero Karl Stefanovic took a sharp turn to the right – and fell from TV stardom
  • OpenAI staggers AI model release after Trump administration request
  • ‘Fork in the road’: CEO of Amazon-backed Rivian on why carmakers need to invest in EVs
  • Prime Day ends today – here are the 52 best deals to scoop up before they’re gone
  • O what a tangled web: unweaving the weirdest fan rumours surrounding Spider-Man: Brand New Day
  • The best fans to keep you cool in 2026 – tried and tested
  • Outrage as woman jailed for three years after criticising Somali government online
  • ‘I’m a soldier. I don’t have a gun, but I have a pen and a camera’: Mahnaz Mohammadi on fighting the Iranian regime

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