Richard Hartley

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The Oscars red carpet was in a skip. Then a woman took it home for her flat. What else could be repurposed?

A dumpster-diving TikToker struck gold the morning after the Academy Awards. But why are they binning carpets after one brief use? And where can we find the uneaten chocolate Oscars?

Indian film board blocks release of Oscar-nominated Gaza drama The Voice of Hind Rajab

Distributor says authorities warned screening Tunisian film-maker Kaouther Ben Hania’s docudrama could harm India–Israel relations

Ready or Not 2: Here I Come review – comedy horror sequel goes big and you should stay home

There’s even more screaming, running, swearing and exploding rich people in a follow-up to the 2019 sleeper hit that expands mythology we didn’t need expanded

‘The male ego is even more fragile than it ever was’: Kim Gordon on shyness, AI and Zohran Mamdani’s cool

As she releases her new solo album, Play Me, the former Sonic Youth star answers your questions on acting for Kristen Stewart, doing Basquiat’s photocopying, and who really invented punk rock

‘My taste is superb. My eyes are exquisite’: Dianne Wiest’s 20 best film performances – ranked!

The Oscar-winning star of Bullets Over Broadway and Hannah and Her Sisters has three major movies coming up. To mark her 78th birthday, we cast an eye over an (almost) immaculate back catalogue

The Killer review – John Woo’s gun-filled melodrama remains a blood-soaked classic

The director’s 1989 Hong Kong action touchstone is a wild melding of maximalist violence and surreal sentimentality – with added harmonica

Midwinter Break review – sad, spiky and brilliantly acted portrait of rupture and rapture

Polly Findlay’s barnstorming drama about interpersonal and religious tumult in late middle age is a triumph, swerving any sense of sentimentalism

‘The world was hard – this movie was meant to be a hug’: Ugo Bienvenu on his heartwarming eco-fable Arco

The polymath French film-maker might be a pessimist, but his Oscar-nominated animated film is one of light and hope – even if he did have to fund it himself

Trains review – magnetic cine-essay explores the liberation that the locomotive gave us

The advent of the steam age ushered in a great social revolution, but as Maciej Drygas’s film points out, the technology also took us off the rails

Zendaya and Tom Holland: are the gen Z power couple married? Nine things you need to know

They like to keep things private, but the Hollywood stars keep dropping clues. Did they recently tie the knot – or is this all just promo?

Hunky Jesus review – a hot, oiled-torso Easter from San Francisco’s Sisters of Perpetual Indulgence

Cavorting around the cross and sexualising the saviour, a group of queer drag nuns, performance artists and activists satirise the religious festival in Jennifer M Kroot’s documentary

Val Kilmer set to be be resurrected with AI for new film

As Deep As the Grave, the true story of 1920s archeologists, will bring late actor back with support from his estate

Oscars 2027: who might be up for next year’s awards?

First-time winners Michael B Jordan and Jessie Buckley might have just been crowned but here’s a too-early look at who might be winning this time next year

Oscars ratings in US dip to four-year low, defying expectations

Hopes that Sinners and One Battle After Another would bring in a big audience dashed as viewers fell to 17.9m, a 9% drop on last year’s 19.7m

Arco review – Natalie Portman and Mark Ruffalo lead rainbow-hued eco animation

Portman and Ruffalo join the English voice cast of this film about a time-travelling boy from Earth’s drowned future and a girl with a robot nanny

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

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  • Iran social media strategy pivots to information war amid US-Israel attack
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  • How the FBI can conduct mass surveillance – even without AI
  • From Goop to gavel: Gwyneth Paltrow’s wardrobe clearout heads to auction
  • From Project Hail Mary to Saturday Night Live UK: your complete entertainment guide to the week ahead
  • ‘The dream is to be a standup, but everyone who knows me says: Please don’t’ – Riz Ahmed on chaos, comedy, and defying categorisation
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  • Urban Legend director Jamie Blanks dies aged 54
  • Influencers are drinking shots of olive oil and lemon juice. Should you?
  • Senior European journalist suspended over AI-generated quotes
  • ‘He was a very dear friend’: Cary Elwes on life after The Princess Bride – and losing Rob Reiner
  • Chuck Norris, prolific action star and martial arts champion, dies aged 86
  • First came the AI ‘teammates’, then the layoffs: the new reality for Atlassian staff now looking for work
  • Too many, bro? Broaching the subject of men’s lapel messaging at the Oscars
  • Don’t mention the M-word: are mutant X-Men about to show up en masse in Spider-Man: Brand New Day?
  • Fire experts ‘kept awake’ over growing hazard of lithium-ion batteries
  • Essex police pause facial recognition camera use after study finds racial bias
  • One Battle After Another to On Swift Horses: the seven best films to watch on TV this week
  • Breakfast with Gosling, grilled by Spielberg, burned by Star Wars: Lord and Miller are cinema’s hottest duo
  • Meta AI agent’s instruction causes large sensitive data leak to employees
  • ‘It does feel like an intimidation campaign’: why is US tech giant Palantir suing a small Swiss magazine?
  • The Oscars red carpet was in a skip. Then a woman took it home for her flat. What else could be repurposed?
  • Why is the FBI buying people’s location data and how is it using the information?
  • Cryptocurrency firms suffer heavy losses in Illinois primaries after spending big

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