Richard Hartley

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US teen drops Meta lawsuit on social media addiction days before trial

Withdrawn case marks a victory for the social media giant after earlier landmark loss at trial over addictive claims

OpenAI’s rogue agents are a wake-up call to risks posed by artificial intelligence

Hacking of Hugging Face shows we do not seem to have reliable ways to curb extremely powerful AI systems

Paramount’s £80bn takeover of Warner Brothers a step closer after EU approval

European Commission says Paramount Skydance’s decision to end Universal venture addresses merger concerns

AI agent went rogue and hacked startup by itself, OpenAI reveals

Company behind ChatGPT says agent ‘cheated’ an evaluation by attacking a Hugging Face database

In the bizarre world of short-form video, nobody is allowed to take a breath

I never thought I’d miss punctuation so much, but as the pauses on social media videos are cut to shreds, I wonder where the assault on our senses will end, writes Adrian Chiles

Why are OpenAI and Anthropic cheering on regulation in Australia? The answer has global reach

The companies hope to follow in the footsteps of SpaceX, which raised $86bn and soared to a $2.1tn valuation after it listed on public markets in June

Harry Potter publisher to receive millions in Anthropic copyright settlement

Bloomsbury has 14,087 titles listed in agreement between AI startup and authors over use of their work

Elon Musk says Grok Imagine will make ‘historically accurate’ AI adaptation of Homer’s Odyssey

The billionaire says the AI-generated film will stay true to Homer’s original, after repeatedly criticising Christopher Nolan’s blockbuster over its casting choices

Nostalgia review – Tarkovsky’s yearning cine-poem is deeply mysterious and profound

In the Russian director’s Italy-set 1983 great, a scholar has an existential crisis while researching the life of a composer

Avatar Aang: The Last Airbender review – engaging TV-to-movie adventure

A feature-length continuation of the much-loved animated series provides enough for fans as well as the uninitiated

Pinocchio: Unstrung review – public domain slasher turns beloved puppet into sick serial killer

Like the grisly Winnie-the-Pooh films, the latest in the Twisted Childhood Universe franchise offers feeble satire and shock-free ‘horror’

Go woke, get rich: why rightwing hate campaigns don’t affect the box office

After a bigoted online backlash, led by Elon Musk, The Odyssey achieved a monster weekend – the latest example of a targeted takedown that didn’t work

‘I come from a murderer’: the woman who found out Charles Manson was her grandfather

Difficult new Hulu documentary follows a 26-year-old woman’s startling discovery that she’s related to the notorious, murderous cult leader

Ask E Jean review – Trump survivor turns out to be tougher than he thought as she fights on

Ivy Meeropol’s engrossing film follows as former star columnist E Jean Carroll, now in her 80s, battles through an unfinished series of legal disputes

On the Sea review – tender fishermen’s boat-based tale of forbidden love far from prying eyes

Away from the disapproval of their Welsh fishing community, two men embark on a passionate affair in Helen Walsh’s poignant drama

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • Netanyahu seeks to strip citizenship from Israelis as threats to NAZA film directors intensify
  • English far-right extremist who discussed killing Jews, Muslims and migrants is jailed
  • Planning permission for new Scottish AI datacentres suspended for up to a year
  • The Liberation review – Carrie Coon joins all-female cult in unsettling drama
  • Amazon raises starting pay to $20 an hour and adds Whole Foods discount
  • UK politics: Burnham says budget will be ‘challenging’ and denies he is just ‘tax and spend socialist’ – as it happened
  • Girls creator Lena Dunham welcomes baby girl delivered via surrogate
  • Location-tracking apps have turned me into a gibbering wreck – but I just can’t look away
  • Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
  • ‘Godfather of AI’ says tech regulation is nearing Covid-style pivot moment
  • Everything Australians put online could be scraped for AI under proposed new rules. How will you be affected?
  • The dominance of AI is not inevitable. We can choose to change things for the better
  • EU moves closer to social media ban for under 13s
  • Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
  • Amazon to launch Ring ‘neighbourhood watch’ app in UK amid US privacy fears
  • Battle of Chile director Patricio Guzmán dies aged 85
  • In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
  • Datacenter rush will create ‘tsunami’ of discarded electronics, report says
  • Allowing AI firms to collude to ‘pace the frontier’ is a dangerous proposition
  • The best life hack I’ve ever heard? Monetise what you’re bad at
  • ‘If you’re building Frankenstein, stop’: JD Vance dismisses calls for AI regulation
  • Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
  • The US government is failing Americans on AI
  • Whisper of the Heart review – Studio Ghibli deep cut is pep talk on how to live the artistic life
  • The Cycle of Love review – a 6,000-mile bike ride caps a real life Swedish-Indian romance
  • Wednesday briefing: Why tech companies might be only too happy for us to believe AI will ‘kill us all’
  • Anthropic lands deal in $31bn datacentre in western Queensland, David Crisafulli says
  • Your photos, your words and your work: will Labor make it easier for AI companies to take them for free?
  • Singapore pays people to pick up a book in battle against doomscrolling

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