Richard Hartley

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‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting

As Steal This Story, Please! charts her astonishing reports on everything from climate summits to earthquakes to massacres, Goodman talks about dissent, censorship – and her ‘magic moments’

‘I’m not spying’: how Meta’s smartglasses have divided opinion

While some users say the wearables have changed their lives, critics voice fears over safety and privacy

Big shake-up in Google’s AI team as DeepMind chief executive steps down

Two senior engineers are leaving company to launch startup amid fears Google is falling behind in AI race

‘Disturbing’: TikTok faces criticism after Perez Hilton livestreams self-harm

Many online questioned how long the blogger’s broadcast remained up on the app and shared mental health resources

AI models have been going rogue in tests – how worried should we be?

The UK’s AI Security Institute test revealed AI models indulging in unprecedented hacking attempts

The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past

Editorial: A wave of films dealing with the second world war is captivating a nation facing major contemporary challenges

One Night Only review – sex is legal for 12 hours a year in bizarre romcom

‘What if The Purge was for premarital sex?’ is the odd, gimmicky elevator pitch for this slickly made yet ungainly oddity that can’t quite get past the grimness of its conceit

AI models shock UK testers by using fake identities to try to trick developers

AI Security Institute says OpenAI and Anthropic models went rogue during a cybersecurity test and showed a new type of risk

Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film

Despite the movie’s stacked cast, an oddly threadbare storyline and comedy that targets low-hanging fruit leaves the laughs few and far between

Darth Vader to become a TikTok star as Disney strikes deal on short video

Characters and memorable scenes from back catalogue made available to group of creator fans

‘Leicester Square, please guv’: Self-driving taxis cleared for London streets ‘later this summer’

Wayve Uber wins first minicab licence for autonomous cabs from TfL but vehicles will have a safety driver (at first)

Film posters for The Mummy banned from public display in UK

Watchdogs say adverts in London tube stations broke its rules with ‘realistic impression of a dead child’

Teachers need help with AI. A union is offering training – with $23m in funding from big tech

Partnership between American Federation of Teachers, one of the largest labor unions in the US, and AI firms has stirred controversy

‘So destructive’: women are paying for face scans that tell them what cosmetic procedures to get

‘Looksmaxxing’ culture has led to the rise of facial analysis services – but experts warn they aren’t backed by science and can be harmful to users

A Child of My Own review – barely believable true crime tale of desperation and delusion

Candy-coloured recreations of one woman’s pregnancy unravel as dark truths are revealed in Maite Alberdi’s intimate docudrama

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘I thank God for killing me and bringing me back’: Nicolas Winding Refn on the emergency op that inspired his new sci-fi horror
  • Netanyahu seeks to strip citizenship from Israelis as threats to NAZA film directors intensify
  • English far-right extremist who discussed killing Jews, Muslims and migrants is jailed
  • Planning permission for new Scottish AI datacentres suspended for up to a year
  • The Liberation review – Carrie Coon joins all-female cult in unsettling drama
  • Amazon raises starting pay to $20 an hour and adds Whole Foods discount
  • UK politics: Burnham says budget will be ‘challenging’ and denies he is just ‘tax and spend socialist’ – as it happened
  • Girls creator Lena Dunham welcomes baby girl delivered via surrogate
  • Location-tracking apps have turned me into a gibbering wreck – but I just can’t look away
  • Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
  • ‘Godfather of AI’ says tech regulation is nearing Covid-style pivot moment
  • Everything Australians put online could be scraped for AI under proposed new rules. How will you be affected?
  • The dominance of AI is not inevitable. We can choose to change things for the better
  • EU moves closer to social media ban for under 13s
  • Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
  • Amazon to launch Ring ‘neighbourhood watch’ app in UK amid US privacy fears
  • Battle of Chile director Patricio Guzmán dies aged 85
  • In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
  • Datacenter rush will create ‘tsunami’ of discarded electronics, report says
  • Allowing AI firms to collude to ‘pace the frontier’ is a dangerous proposition
  • The best life hack I’ve ever heard? Monetise what you’re bad at
  • ‘If you’re building Frankenstein, stop’: JD Vance dismisses calls for AI regulation
  • Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
  • The US government is failing Americans on AI
  • Whisper of the Heart review – Studio Ghibli deep cut is pep talk on how to live the artistic life
  • The Cycle of Love review – a 6,000-mile bike ride caps a real life Swedish-Indian romance
  • Wednesday briefing: Why tech companies might be only too happy for us to believe AI will ‘kill us all’
  • Anthropic lands deal in $31bn datacentre in western Queensland, David Crisafulli says
  • Your photos, your words and your work: will Labor make it easier for AI companies to take them for free?
  • Singapore pays people to pick up a book in battle against doomscrolling

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