Richard Hartley

Technology, Photography & Film

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The Toymaker’s Key review – steampunk sci-fi animation is eclectic if overwrought

Produced by a very small team, this fantasy adventure story, though chaotic and derivative, hints at what future tech-savvy creators could produce beyond studio constraints

How Australia’s social media ban has affected families six months on

As UK ban for under-16s is confirmed, experience of Australian parents of similar restrictions has been mixed

‘Loving our country sounds like an abused spouse saying they love their abuser’: Robert De Niro leads crowd in rallying cry against Trump

The actor starts chant after president said he doesn’t ‘think about Americans’ financial situation, not even a little bit’

Social media firms hit back as Starmer announces ban for under-16s in UK

Meta, YouTube and Snapchat say ban, which would stop children using their platforms, will drive them to ‘less safe services’

The man who bought Diane Keaton’s nail clippers also owns Whoopi Goldberg’s teapot: ‘It will have her fingerprints on it’

Exclusive: The recent auction of the star’s belongings included designer outfits and her iconic bowler hats, but a box of assorted pins proved more tempting for one collector

Disclosure Day: alien conspiracies, car chases and a jaw-dropping climax – discuss with spoilers

Steven Spielberg’s sci-fi blockbuster is a non-stop thrill ride, but did it convince you that we are not alone?

Familiar Touch review – Kathleen Chalfant is wonderful in subtle, sensual memory loss drama

Director Sarah Friedland brings impressive attention to detail to an audacious debut feature about a woman moved into a retirement community

‘It gets me every time’: why Jerry Maguire is my feelgood movie

The latest in our series of writers calling attention to their go-to mood-lifting films is a celebration of Cameron Crowe’s unconventional romantic comedy

Angel’s Egg review – Mamoru Oshii’s dazzling 1985 anime is an eerie philosophical adventure

Christian theology becomes an unsettling and visually ravishing mystery in early film from the Ghost in the Shell director

The problem with ‘loneliness influencers’ isn’t their friendlessness – it’s the air of cosy defeatism

Most of us will experience periods of solitude at some point. But beige furnishings and self-care rituals are not the answer, says writer Rachel Connolly

Dry Leaf review – three-hour amble around the football pitches of Georgia in search of a daughter

Despite its interesting low-res look, Alexandre Koberidze’s mystifying film is needlessly contrived

‘More relevant now than ever’: how Virginia Woolf recaptured the cultural zeitgeist

With an adaptation of Night and Day hitting cinemas, the pioneering author’s work continues to inspire audiences

‘Distressingly beautiful and disorienting’: the Willem Dafoe film that only one person can see at a time

A porter escorted Nick Buckley to his seat in an empty theatre in Hobart. Loris Gréaud’s new movie, part of Dark Mofo festival, left him questioning everything

Europe is starting to break up with US big tech. But it’s still abiding by the Silicon Valley rulebook

The European Commission has unveiled its plans for digital sovereignty. Its proposals betray a disappointing lack of vision, says Max von Thun of the Open Markets Institute Europe

Starmer to announce ‘Australia plus’ ban on social media for under-16s

Sources say hardline measures will also prevent young users from being able to talk to strangers on gaming apps

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Datacentre projects could face fees for grid access to ease connection queue, Ofgem says
  • The Devil’s Mouth review – Amazon’s shark thriller gives us just about enough to chew on
  • Solo Sunny review – a rueful East German gem of ambition, loneliness and faded dreams
  • AI tool will lead to more child refugees being treated as adults, charity warns
  • FCC bans humanoid robots from China, citing ‘unacceptable risks’
  • How to keep your Claude chats and Google files private
  • Apple becomes second $5tn company as investors flee AI stocks
  • Director Mike Leigh likely to retire after his next film due to illness
  • South Korean stock market at three-month low as AI sell-off intensifies
  • Labour MP suing Elon Musk’s xAI says chatbot added own fake abusive content
  • The Killer: without John Woo’s gun fu classic, Hollywood action films would be far more dull
  • Spider-Man: Brand New Day review – Zendaya saves Tom Holland’s semi-Cronenberg-style superhero
  • Debate over AI’s future divides Silicon Valley as China gains ground
  • Who dares ridicule Gianni Infantino as the World Cup boss creates global peace? Not me: is it you?
  • How do we prevent AI agents from going rogue? It starts with a new kind of measurement
  • Lesvia review – the rise and fall of an amazing lesbian community on Sappho’s actual island home
  • Spies in the sky: how worried should we be about the arrival of AI-enabled smart lamp-posts?
  • Why has Christopher Nolan got rid of all the sex in The Odyssey?
  • A self-emptying, frictionless marvel: Shark PowerDetect Speed Clean and Empty Pet Pro review
  • Just when you thought it was safe … the shark movie is back for more
  • Tinsman Road review – found footage haunted horror as a film-maker searches for his sister haunts
  • Wham! 10 Days in China review – pop meets politics in George and Andrew’s great leap east
  • ‘She wasn’t acting, she wanted to live it’: how a fake pregnancy resulted in the wildest true crime film of the year
  • It’s the vibe: Australian comedy classic The Castle set to become a stage play
  • Meta disregarded its own research on teen harm, Tennessee lawyers tell jury
  • New York school district halts plan to use humanoid robot amid backlash
  • David Jonsson: the London rising star handpicked to be the new Black Panther
  • Plas Johnson obituary
  • ‘I would be ashamed to have written any part of this’: Odyssey translator Emily Wilson attacks Nolan blockbuster
  • ‘It reminded me of James Bond’: Guardian readers on The Odyssey

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