Richard Hartley

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Touch Me review – tentacle sex abounds in psychosexual horror that’s like live-action hentai

Addison Heimann’s stylised alien horror is as zippily amusing as it is sensual, with more than a bit of Rocky Horror in the mix

Deloitte and Zoom’s trims to parental-leave benefits may hurt them in long run, experts say

The companies announced last week that they will be reducing parental leave and other benefits for employees starting next year

George Clooney condemns Washington shooting and calls on citizens to ‘truly make America great again’

Star tells awards ceremony: ‘I disagree with everything that this administration stands for, but there’s no place for the kind of violence we saw two nights ago’

If it feels like the world is rejecting science and truth, here are five ways to fight back

All of us can choose to consider facts, not vibes, in our next decision. One simple hack is go and look up some easily accessible peer-reviewed studies, says science journalist and author Helen Pearson

Wild Foxes review – animal-obsessed fighter at elite sports academy wonders if more to life than boxing

Valéry Carnoy’s striking film brims with unsynchronised ideas and images, but the physicality and performances of the young cast are undeniable

‘The folk scene is very middle class. The divide is huge’: Jim Ghedi, the Sheffield singer bringing his doomy music to the movies

Plucked from relative obscurity to score Hugh Jackman film The Death of Robin Hood, the skilled singer-songwriter explains how he conquered his impostor syndrome

‘They’re supposed to be handmade’: zine creators fight to resist AI influence

Artists and writers argue scrappy nature of self-published booklets is incompatible with artificial intelligence

Ministers open-minded on shape of UK social media limits, Phillipson says

Education secretary says children will face restrictions and government will consider range of views on their form

I’ve Seen All I Need to See review – murky indie thriller follows woman home after her sister is murdered

An actor returns after the death of a family member, but there’s not much more of depth in this noirish tale with a painfully pretentious voiceover

‘If your wife asks you to change diapers, change your wife’: the Arabic hit show that parodies the patriarchy

The female-created YouTube sketch series Smatouha Minni – You Heard It From Me – uses satire to confront misogynistic attitudes

Tech giants face a new levy to pay for Australian news. What is the proposed model and how will it work?

Replacing the Coalition’s news media bargaining code, the incentive is the latest move to force companies to make deals with publishers and help fund journalism

‘An uprising against loneliness’: why have football ultras become a cultural obsession?

A new documentary travels around the world to identify the roots of ultra-mania – the fan movement that’s part progressive and sometimes criminal

Tech giants face new levy to pay for Australian news as Meta calls position ‘simply wrong’

Google also rejects need for reform after Albanese government reveals draft news bargaining incentive scheme

The Return of Arinzo review – families who hate each other clash in noirish Nollywood thriller

Nigerian actor and director Iyabo Ojo’s entertaining but imperfect tale about warring clans unfolds across Nigeria, Ghana and Tanzania

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Six in 10 Neets have never had a job, says Alan Milburn, as he warns of ‘generational faultline’ – UK politics live
  • ‘Instagram truly is the new LinkedIn’: why gen Z is using social media to get hired
  • ‘Impossible, exhausting, horrifying’: how a chilling supernatural play explains the terror of life in Iran
  • Studio Display XDR review: Apple’s pro display shines very brightly
  • If you’re still on Elon Musk’s X, ask yourself this: why?
  • ‘Not many kids had gay dads who died of Aids’: Andrew Durham and Sofia Coppola on movie memoir Fairyland
  • ‘This isn’t freedom’: anger, anxiety and tears as Iran’s internet flickers back
  • The strange surveilled life of Piper Rockelle: why did a former child influencer decide to go on OnlyFans?
  • AI ‘art’ is boring, soulless theft – and when I see it as an artist I see red
  • Lifting of internet restrictions reveals Iranians’ anger over food inflation
  • ‘Put an end to this war’: Russian director Andrey Zvyagintsev makes new plea to Putin
  • The great Australian nightmare: how the housing crisis inspired a wave of brutal – and funny – pop culture
  • The best fans to keep you cool in 2026 – tried and tested
  • Tony Blair is strong on diagnosis, deluded on prescription: Britain’s ills can’t be fixed by him
  • Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal
  • Samsung memory chip staff in line for £310,000 bonuses after AI profit-sharing deal
  • People in the US: what are your views on Pope Leo’s comments about AI?
  • Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook
  • What We Ask Google by Simon Rogers review – the secrets of our search history
  • ‘Argentina needs to end its fantasy of being a European country’: Lucrecia Martel on the story of a killing
  • Bullet in the Head review – John Woo’s Vietnam war fever dream is an explosive masterpiece
  • Nearly in one in five UK girls receive unwanted images online, poll finds
  • Kiln-free recycled tile startup agrees pilot deal with major UK supplier
  • Spider-Noir review – Nicolas Cage’s stylish take on the superhero as a 1940s detective is huge fun
  • Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama
  • Paddington 4: Armando Iannucci to write bear’s next movie with Thick of It and Veep cowriter
  • Nasa selects Jeff Bezos’s Blue Origin for first of three uncrewed lunar missions
  • Labour set to announce crackdown on social media for children within weeks
  • Labour says Reform UK ‘in chaos’ as Zia Yusuf publicly tells Jenrick he’s got party’s deportation policy wrong – as it happened
  • ‘The avalanche of slime has been unbelievable’: E Jean Carroll shares life post-Trump in new film

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