Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Silence took Martin Scorsese nearly 30 years to make – and it shows

The period drama set in feudal Japan is an epic of divine proportion, tackling grand questions of faith and colonisation with remarkable fervour

Who needs looksmaxxing when you’ve got Catholicmaxxing? The TikTok trend making religion great again

Some of the young Americans swept up in the movement are looking for the meaning of life; others for a new partner. Well, it’s a broad church …

An AI company with an arsenal of spacecraft: what exactly is SpaceX?

Elon Musk’s company filed confidentially for an IPO last week – but SpaceX itself is a bizarre agglomeration

Row over ‘virtual gated community’ AI surveillance plan in Toronto neighbourhood

Rosedale residents considering car licence plate-scanning Flock system in bid to tackle property crime

Musk’s SpaceX courts retail investors as it aims for record-breaking stock market flotation

Elon Musk’s aerospace to AI company will host summer event to try to convince buyers it is worth $2tn

Porn, dog poo and social media snaps: the ‘taskers’ scraping the internet for AI firm part-owned by Meta

Scale AI gig workers describe desperation of using people’s personal profiles and copyrighted work to train AI

‘There’s a lot of desperation’: skilled older workers turn to AI training to stay afloat

They have degrees, expertise and years of experience – but can’t find work. For many Americans, AI training has become a last refuge in a brutal job market

The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic

François Ozon’s adaptation of the 1942 novella L’Etranger passionately honours the original text while bringing a contemporary perspective to its themes of empire and race

Slither review – James Gunn’s Troma-style comedy horror debut gets a reboot in reputational glow-up

DC Universe supremo Gunn’s thinly conceived debut feature gets a glossy repackaging for seemingly no other reason than his later success

Sluts, simps and body shaming: the rise of Africa’s manosphere

Experts have been alarmed at the growth of deep misogyny dressed up as self-help on social media. We profile seven men from across the continent who are gaining traction

Children in UK report online sextortion attempts in record numbers

Exclusive: Call for nudity-detection tech on phones as number of under-18s reporting blackmail attempts rises by 34%

‘I felt ashamed and scared’: how an online friendship became a sextortion nightmare

Thomas found connection online after moving to a rural village with no friends nearby. Then things started to spiral

‘Coke and booze didn’t help my creativity’: Joe Eszterhas on his wild times – and his supernatural, anti-woke Basic Instinct reboot

He was the screenwriting colossus behind Flashdance, Jagged Edge, Showgirls and more. Now clean, ‘Hollywood’s Shakespeare’ talks about today’s scared studios, his refugee trauma – and taking acid with Hunter S Thompson

Tech companies are cutting jobs and betting on AI. The payoff is far from guaranteed

AI experts say we’re living in an experiment that may fundamentally change the model of work

The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers

Zendaya and Robert Pattinson’s dark dramedy is a stylish acting showcase, but does it do justice to its weighty themes?

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • More than 400,000 Russians killed fighting in Ukraine war, leaked data suggests
  • EU sues IBM and two European firms over troubled entry/exit border system
  • Parents and teachers decry Google pledge to yank Search if schools block AI: ‘This threat is nothing but extortion’
  • ‘Obvious risk of further tragedy’ at rail crossing type at which Amazon driver died, inquiry finds
  • Why is Nvidia’s Jensen Huang at the centre of a US-China row?
  • 1 in 2 review – compassionate film about dealing with bowel cancer is a personal plea on behalf of the young
  • ‘Sadistic, forbidden pleasure’: why Gone Girl is my feelgood movie
  • A Fox Under a Pink Moon review – Iranian teen refugee paints boldly imaginative self-portrait
  • 100 Sunset review – elliptical, elusive drama dreamlike through Toronto’s tight-knit Tibetan community
  • Look at Me by Dustin Hoffman review – an era-defining actor says his piece
  • Robert Pattinson has auditioned for James Bond – and finally the 007 race is interesting
  • ‘Thicky thicky dumb dumb’ satirist Cody Dahler on his viral videos: ‘my material is presented to me on a silver platter!’
  • Godzilla Minus Zero takes US box office by storm in opening weekend
  • Nvidia opens investigation after report CEO Jensen Huang was target of foreign intelligence
  • Is this the most rubbish Christmas present ever?
  • What are you yearning for? We took to the streets to find out
  • Pickpockets review – small-budget Australian crime flick steals audience’s heart
  • Bluey’s Daley Pearson on how losing his brother inspired his new film: ‘He was the best thing ever to me’
  • Monica Dolan looks back: ‘I was repulsed by Rose West, yet I had to work out what made her tick’
  • 1-0 to humankind? US midterms vote puts AI, datacentres and the broligarchy back in their box
  • How African philosophies inspired a new approach to staging film festivals in Manchester
  • ‘I’ve seen people in my neighbourhood pulled out of their cars’: Ava DuVernay on the cruelty and brutality of Trump’s America
  • ‘AI clog’: UK public bodies battle onslaught of chatbot-generated complaints
  • Hot fridges, a fake nuclear alert and a $6bn heist: are we in the foothills of a hacking epidemic?
  • Does Andy Burnham’s pivot from press to social media put scrutiny at risk?
  • Ukraine’s new frontier: how space has become critical to balance of the war
  • FAA announces first US digital air traffic control towers in Florida and Alaska
  • The Trump administration wants underwater datacenters. One Great Lakes non-profit is already preparing
  • Hollywood banks on Ebenezer to bring Johnny Depp in from the cold
  • Standing in the way of slop bowls: the woman blocking food delivery robots

Contact www.richardhartley.com   Terms of Use