Richard Hartley

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Putin as a Russian James Bond? Jude Law’s Vladimir film seems to have swallowed Kremlin myths

In The Wizard of the Kremlin, Jude Law plays Russia’s president as a cool, reluctant leader, a strategist who got the job because he was young, athletic and a spy. This is a creation far removed from the man himself

It would be an honour to write James Bond theme song, says Noel Gallagher

Songsmith’s comments come after his brother Liam stoked rumours Oasis had been courted for the role

Rise and shine with the 10 best sunrise alarm clocks in the UK, tried and tested

Our reviewer sheds some light on adding brightness to your mornings with the best dawn simulation alarms, from Lumie and Philips to Hatch

Béla Tarr, Hungarian director of Sátántangó and Werckmeister Harmonies, dies aged 70

The internationally acclaimed film-maker was renowned for beautifully shot cinematic epics

‘I felt violated’: Elon Musk’s AI chatbot crosses a line

Chatbot still being used to digitally undress women and children, while US takes TikTok approach to drones

A Game of Thrones spin-off, The Pitt returns and Goolagong: what’s new to streaming in Australia in January

Plus a star-studded Agatha Christie adaptation, gory new Ryan Murphy drama The Beauty and Oscars frontrunner One Battle After Another

2 Fast 2 Furious is the franchise’s most derided film. It’s also the best

Gaudy, plastic and tactile, the series’ second film sums up its manifesto: watching souped-up vehicles drive irresponsibly loudly

Love, desire and community: the new generation of readers bonding over romance novels

Young women drawn to ‘morally grey characters’ are driving a boom sparked by TikTok, Instagram and online friendships

Global buys majority stake in Gary Neville’s YouTube group The Overlap

European media giant aims to emulate success of sports podcast network Goalhanger, founded by Gary Lineker

Warning over TikTok scam using AI-generated videos of Spain’s Princess Leonor

Princess of Asturias Foundation says fraudsters are using fake profiles and videos purporting to show heir to Spanish throne

The strangest thing: is the future of cinema … not new movies?

Netflix’s big-screen release of the Stranger Things finale is estimated to have made over $25m at the US box office, the latest example of event cinema proving popular

‘I wouldn’t take a nickel of charity’: Mickey Rourke denounces fundraiser set up in his name

Denying any prior knowledge of the appeal, the actor said he would ‘rather stick a gun up my ass and pull the trigger’ than accept the money

Narnia! Dune! Charli xcx! The 2026 films Guardian writers are most excited about

From much-anticipated sequels to music mockumentaries to auteur returns, the next 12 months offers up a wide variety of intriguing new movies

Nvidia CEO reveals new ‘reasoning’ AI tech for self-driving cars

Jensen Huang also announces at CES new, more powerful Vera Rubin chips that will arrive later this year

Hamnet review – Paul Mescal and Jessie Buckley beguile and captivate in audacious Shakespearean tragedy

Chloé Zhao’s film version of Maggie O’Farrell’s myth-making novel powerfully reimagines the agonising loss of a child as the source of Hamlet’s grand stage drama

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Hamnet to On Falling: the seven best films to watch on TV this week
  • I stand to defend vertical drinking. Is a pub that doesn’t allow it a real pub at all?
  • The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
  • ‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
  • New Mexico court orders Meta to pay $567m over harms to children’s mental health
  • Safety fears as scientists make first viruses designed by AI
  • Tell us: do you believe you have been filmed by Meta’s smartglasses without your consent?
  • Tech barons dream of human colonies on Mars – but I can’t think of a worse place to die
  • The social media algorithm has left me behind. I’m unc and I’m chopped – and that’s OK
  • BBC hires 26-year-old entrepreneur to help reach younger audiences
  • ‘I have an ego that needs to be put in check’: ex-Gawker editor AJ Daulerio on life after addiction
  • ‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
  • Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
  • Danish pupils will have to orally defend essays in attempt to combat AI cheating
  • Exclusive: Major Republican fundraiser winning contracts from Trump administration, emails reveal
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Tech companies know everything about me – so why do they try to sell me so much rubbish?
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
  • Restaurants, pubs and theatres ban Meta’s ‘spy glasses’ over privacy fears
  • Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
  • Should I try the ‘18 summers’ parenting trend? Only if I want to ruin the school holidays
  • How to Feed a Dictator review – what was on the menu for some of the world’s most evil men
  • American witchhunt: how the McCarthy blacklist annihilated the Hollywood left
  • ‘Basically, you give yourself to the man’: Trewley Precious Temple on her life as a Gypsy wife – and beyond
  • ‘I’m not spying’: how Meta’s smartglasses have divided opinion
  • ‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
  • Big shake-up in Google’s AI team as DeepMind chief executive steps down
  • ‘Disturbing’: TikTok faces criticism after Perez Hilton livestreams self-harm
  • AI models have been going rogue in tests – how worried should we be?
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past

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