Richard Hartley

Technology, Photography & Film

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Daggers Inn review – so-bad-it’s-almost-good fright-flick could achieve cult status

A spooky character investigates her sister’s killing in a sinister village in a film that reaches The Room’s levels of amateurishness

UK must learn lessons from AI race and retain its quantum computing talent, says minister

Liz Kendall announces £1bn funding to help design large-scale quantum computers for scientists, researchers, public sector and business

Don’t upstage your friends! 19 modern etiquette mistakes – and how to avoid them

In a world teeming with social media and smart devices, there are many ways to upset people, whether you’re checking your watch notifications or sending a voice note without a text to explain the subject. Here’s how to navigate it all

A photo of Iran’s bombed schoolgirl graveyard went viral. Why did AI say it wasn’t real?

Numerous faked images and a string of startlingly inaccurate responses from Gemini and Grok are part of a tidal wave of AI slop engulfing coverage of the Iran war

‘We are the family’: low-budget thriller highlights Hungary’s election tension

Audiences draw parallels between the abduction plot of Feels Like Home and Viktor Orbán’s 16-year reign

‘Arms and legs are very expressive, especially with bruises’: the absurdist photography of Yorgos Lanthimos

Ditched washing machines, a woman’s bare leg, the back of Willem Dafoe’s head … the Oscar-nominated director talks us through his new photography show in Athens – made with his darkroom assistant Emma Stone

Child abuse material ‘systemic’ on Elon Musk’s X amid Grok scandal, Australian online safety regulator warned

Exclusive: eSafety commission pointed to Musk’s promise that ‘removing child exploitation is priority #1’ in letter obtained by Guardian Australia

Teenage girls sue Musk’s xAI, accusing Grok tool of creating child sexual abuse material

Lawsuit details how sexualized AI-generated images were produced and distributed without girls’ knowledge

And the winner is … all of us? How the Oscars have changed for the better

The diversified Academy and a mutating industry have changed what many had come to expect from the stuffy, rule-following Oscars

Omission impossible: why the Oscars can never get their In Memoriam tribute right

Why did Brigitte Bardot, Farrah Fawcett and James Van Der Beek not warrant a mention when Michael Jackson did? The history of the Oscars tribute snubs says a lot about why some stars are gone but not forgotten

Selfies, sniffer dogs and superstition – Peter Bradshaw’s big night out at the Oscars!

KPop Demon Hunters fans screamed with glee, Adrien Brody grossed out the audience and Timothée Chalamet broke all the rules. The Guardian’s film critic on a gobsmackingly glamorous ceremony

One no-show after another: Sean Penn joins an exclusive band of Oscar-winning refuseniks

The One Battle After Another star’s failure to collect his best supporting actor award – because he was visiting Ukraine – only serves to burnish his reputation

How should a woman dress in her 50s? Gwyneth Paltrow just changed the game

The red carpet raises all kinds of questions, writes Zoe Williams. What is the age range of a feather boa? Sequins: mutton or lamb? In the face of the carping and scrutiny, Paltrow has issued a bold sartorial retort

Past Life review – hypnotist opens psychic portal in pulpy British mystery on trail of a serial killer

Jeremy Piven is a celebrity hypnotist leading a client into dangerous waters in this Manchester-set affair also starring Pixie Lott and Aneurin Barnard

Norway ‘climbs out of shadow’ of neighbours with first Oscar win for Sentimental Value

Recognition for Scandi film-making has long focused on Sweden and Denmark but critics say Norwegian film is entering a new era

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Anna Wintour shares Vogue cover with Hollywood doppelganger Meryl Streep
  • Tell us: do you use AI chatbots to make decisions for you?
  • Oh what a circus! The Greatest Showman hits the stage as a high-flying, hammer-juggling, banger-filled spectacular
  • Legendary Disney composer Alan Menken on winning Oscars, Razzies and his ‘filthy’ rock musical
  • An AI company with an arsenal of spacecraft: what exactly is SpaceX?
  • Row over ‘virtual gated community’ AI surveillance plan in Toronto neighbourhood
  • Musk’s SpaceX courts retail investors as it aims for record-breaking stock market flotation
  • Porn, dog poo and social media snaps: the ‘taskers’ scraping the internet for Meta-owned AI firm
  • ‘There’s a lot of desperation’: skilled older workers turn to AI training to stay afloat
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • Sluts, simps and body shaming: the rise of Africa’s manosphere
  • Slither review – James Gunn’s Troma-style comedy horror debut gets a reboot in reputational glow-up
  • Children in UK report online sextortion attempts in record numbers
  • ‘I felt ashamed and scared’: how an online friendship became a sextortion nightmare
  • ‘Coke and booze didn’t help my creativity’: Joe Eszterhas on his wild times – and his supernatural, anti-woke Basic Instinct reboot
  • Tech companies are cutting jobs and betting on AI. The payoff is far from guaranteed
  • The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers
  • Iran’s internet blackout is longest national shutdown since Arab spring
  • Noel Chanan obituary
  • Using AI to speed up Australia’s environmental approvals risks ‘robodebt-style’ failures, scientists say
  • Private jets, deserted shores and an unbuilt resort: alleged links to sanctioned ‘scam’ empire revealed in Timor-Leste
  • ‘Traceability is vital’: labs test thousands of unregulated substances amid peptide craze
  • Do we really need truncheons and pepper spray to fight off London’s ‘feral’ teenage shoplifters?
  • ‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer
  • Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
  • ‘It started with a tipoff’: how a Guardian investigation exposed child sex trafficking on Facebook and Instagram
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • My mother, Audrey Hepburn: the star’s son Sean on her movies, marriages, good works and fascist parents
  • ‘I always considered social media evil’: big tobacco whistleblower on tech’s addictive products
  • Should we be polite to voice assistants and AIs?

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