Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

Faust review – FW Murnau’s silent masterpiece is a devilishly dazzling vision

The 1926 film of Goethe’s tragic tale of a man who sells his soul to the devil remains a spectacular feat of German expressionism

Wallace & Gromit maker Aardman falls short of return to profit

Animation studio narrows annual loss to £1.1m amid ‘challenging market’ in children’s content

By Design review – Juliette Lewis turns into a chair in hypnotic Lynchian drama

A musician becomes obsessed with the haunted seat, but the potentially hilarious premise sleepwalks its way to an unsatisfying conclusion

Poland’s ascent from communist state to top 20 economy reverses the brain drain

In the final part of our series on the country, Poles tell how wages have soared – along with the cost of living

‘To succeed meant to leave’: inside the jolting film about Brummie estate kids knocked flying by demolition

The novel had no hero, no dialogue and little action. So how was I See Buildings Fall Like Lightning turned into such a funny, rousing and acclaimed film? Director Clio Barnard reveals all

‘Like, really, really shocked’: why are so many people riffing on this sheep’s sex appeal?

When a New Zealand bank tried to suppress sleazy comments about its virtual sheep mascot, it got a lesson in going viral and online censorship

Eight states accuse OpenAI of coaching children to harm themselves in lawsuit

US states sue ChatGPT maker and seek to force the company to change how its products work for young users

OpenAI’s London staff receive average of £2.3m per person annually

Accounts for the Westminster-based company behind ChatGPT show that 110 staff shared £87m in salaries and £168m in shares

Zimbabwean author Simbarashe Kundizeza denies using AI to write prize-winning story

Article in Atlantic claims The Blue Fighter was artificially generated, days after it won Caine prize for African writers

Jessie Buckley suggests film industry gives too much weight to Oscar campaigns

The actor, who won the Academy Award for best actress this year, was speaking at the BFI and Chanel film-maker awards

Could AI ‘change the stakes’ in the development of bioweapons?

Experts say the technology could help terrorists and nation states with production but that significant hurdles remain

The eyes have it: Reform politician’s ‘smart glasses’ prompt calls for ban in Westminster

Jason O’Connell’s suspected use of the specs to aid his speech in Senedd reignites debate over AI-enabled devices

Palantir and Sadiq Khan drop legal battle over Met contract

Dispute related to claims London mayor blocked US tech firm from £50m police deal because of concerns over its values

Was this Mark Zuckerberg’s first – and last – taste of Guinness?

The Meta boss looked traumatised when he sipped stout on the Cheeky Pint podcast. An hour later, his glass was still half full

‘English nationalist’ content creators film themselves in asylum seekers’ house

Video posted online shows men entering home through unlocked door and claiming to be looking for paperwork

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Who is hacking Europe’s supermarket fridges and freezers, and why?
  • ‘Screams on the level of a Taylor Swift concert’: horny romp Wicker gets the 4DX treatment
  • Shop fridges and freezers across Europe hit by fresh suspected cyber-attack
  • One in a Million review – deeply moving film about displacement, freedom and the upheaval of starting again
  • Unions gain access to thousands of Google workers after UK employment rights overhaul
  • ‘Sad lost souls’: Taika Waititi lambasts critics after Klara and the Sun box-office disaster
  • Hackers send fake nuclear threat alert to Ukraine emergency app
  • ‘It still preys on my mind’: readers on their scariest non-horror movies
  • From puregatory to lifehoarding – how best to describe our strange, anxious times?
  • Blockhead review – struggling novelist embraces his inner monster in comic thriller of literary machismo
  • From a life-changing garlic press to a super-glowy serum: 12 buys you’re loving right now
  • Palantir AI tech unused or little used by 29 NHS trusts said to be benefiting from it
  • ‘Funny and self-aware’: why (500) Days of Summer is my feelgood movie
  • Dead Howling review – werewolf hunts zombies in tough-love apocalypse horror
  • ‘We both know how we feel about death and dying’: Rhys Ifans and Laura Linney on their brutally honest Parkinson’s drama
  • I Died review – moving portrait of Tzotzil women confronting patriarchal violence in the Mexican highlands
  • Police use facial recognition to scan one million faces in WA trial leading to 122 arrests
  • Alex Garland’s Elden Ring adaptation is on course to be Hollywood’s goriest ever fantasy movie
  • Parents of woman who died of seizure after ChatGPT misguidance sue OpenAI
  • Investors pull billions in funds from Binance after record $6.3bn hack
  • National Grid to site biggest substation in UK near planned Teesside datacentre
  • Director Michael Mann accidentally shoots himself in the leg at gun range
  • Forget maxxing your life. 2027 must be the year we relax – and start minning
  • Readers reply: with governments asking us to stockpile, can we learn anything from disaster films?
  • Like many authors, I’m bombarded by scam fan mail. I wasn’t prepared for what would happen when I wrote back
  • The US-China trade war seems to have subsided – but the sense of calm is misleading
  • Binance resumes customer withdrawals after record $6.3bn hack
  • Sadiq Khan calls for cap on numbers of robotaxis on London streets
  • Romeo + Juliet at 30: how Baz Luhrmann made teens fall in love with Shakespeare
  • Dafne Keen and Harriet Walter on working with Patrick Stewart: ‘I’ve never seen anyone so ecstatic’

Contact www.richardhartley.com   Terms of Use