Richard Hartley

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UK maker of AI avatars nearly doubles valuation to $4bn after funding round

Synthesia makes digital presenters for clients to use in corporate videos and counts 70% of FTSE 100 as customers

AI is hitting UK harder than other big economies, study finds

Britain is losing more jobs than it creates owing to artificial intelligence, Morgan Stanley research suggests

‘Magical’: how I taught Paul Mescal and Josh O’Connor to sing like folk troubadours in The History of Sound

Singer-songwriter Sam Amidon had just three weeks to make the two stars sound like seasoned balladeers. He recalls their charged harmonies in the little shed at the bottom of his garden

Los Saldos review – prodigal big-city son reconnects with his heritage in rural Spain

Raúl Capdevila Murillo’s debut documentary follows the director’s journey back to his farming family, whose way of life is newly endangered

AI systems could use Met Office and National Archives data under UK plans

Ministers plan to license content from institutions such as National History Museum and National Library of Scotland

Life after Molly: Ian Russell on big tech, his daughter’s death – and why a social media ban won’t work

Molly Russell was just 14 when she took her own life in 2017, and an inquest later found negative online content was a significant factor. With many people now pushing for teenagers to be kept off tech platforms, her father explains why he backs a different approach

‘It was a little scary at times’: the hilarious, heartbreaking film about one man’s riotous death

When André Ricciardi found out he had cancer, he asked a friend to film his final years. André Is an Idiot, the result, mixes in stop-motion puppetry to create an astonishing record of an extraordinary life

Union County review – an affecting Will Poulter lifts quiet addiction drama

The British actor gives a convincing performance as a man going through the drug court system in a grounded look at rehabilitation

‘For the authoritarian, culture is the enemy’: Salman Rushdie talks recovery and resilience at Sundance

A new documentary explores the author’s physical and spiritual healing from the 2022 knife attack that almost killed him

Imagine review – profound conversations meet trippy visuals in one-of-a-kind adventure

Taika Waititi, Yael Stone and Ian Thorpe are among the big names lending voices to this ‘chaotically strange’ animation drawing on Indigenous perspectives

The Gallerist review – Natalie Portman flounders in tiring art world caper

The Oscar winner can’t find the right tone for this grating comedy which also wastes Jenna Ortega, Da’Vine Joy Randolph and Catherine Zeta-Jones

Iran president’s son urges authorities to restore internet after protests blackout

Yousef Pezeshkian says nothing will be solved by trying to postpone moment images of violent crackdown circulate

The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping

The Friend’s House is Here review – timely, secretly made tale of creativity in Iran

An underground scene of creatives in Tehran is threatened in this lived-in hangout movie that bravely chooses optimism over negativity

The Guardian view on the future of cinema: gen Z is falling in love with the big screen

Editorial: Film is in a state of existential crisis. But a new generation of cinephiles might save it from the streaming giants

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
  • Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
  • Danish pupils will have to orally defend essays in attempt to combat AI cheating
  • Exclusive: Emails reveal Palmer Luckey’s political fundraising as his company wins sole-source contracts
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Tech companies know everything about me – so why do they try to sell me so much rubbish?
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
  • Restaurants, pubs and theatres ban Meta’s ‘spy glasses’ over privacy fears
  • Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
  • Should I try the ‘18 summers’ parenting trend? Only if I want to ruin the school holidays
  • How to Feed a Dictator review – what was on the menu for some of the world’s most evil men
  • American witchhunt: how the McCarthy blacklist annihilated the Hollywood left
  • ‘Basically, you give yourself to the man’: Trewley Precious Temple on her life as a Gypsy wife – and beyond
  • ‘I’m not spying’: how Meta’s smartglasses have divided opinion
  • ‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
  • Big shake-up in Google’s AI team as DeepMind chief executive steps down
  • ‘Disturbing’: TikTok faces criticism after Perez Hilton livestreams self-harm
  • AI models have been going rogue in tests – how worried should we be?
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past
  • One Night Only review – sex is legal for 12 hours a year in bizarre romcom
  • AI models shock UK testers by using fake identities to try to trick developers
  • Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
  • Darth Vader to become a TikTok star as Disney strikes deal on short video
  • ‘Leicester Square, please guv’: Self-driving taxis cleared for London streets ‘later this summer’
  • Film posters for The Mummy banned from public display in UK
  • Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
  • A Child of My Own review – barely believable true crime tale of desperation and delusion
  • Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
  • Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
  • ‘If we don’t fight back, we don’t have a future’: the journalist taking on the ‘tech fascists’ of Silicon Valley

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