Richard Hartley

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SpaceX mulls $1.5tn IPO timed to ‘align with Musk’s birthday and the planets’

World’s richest person targeting symbolic date in June for flotation of rocket company

The womanosphere urges dubious followers to back ICE: ‘Don’t let compassion cloud you’

Conservative figures such as Riley Gaines and Allie Beth Stuckey are urging their followers to ward off empathy for victims of ICE’s crackdown

China lags behind US at AI frontier but could quickly catch up, say experts

Beijing’s AI policy is focused on real-life applications but Chinese companies are beginning to articulate their own grand visions

YouTube criticised after pulling out of UK TV audience measurement

Owner Google moves to block Barb data access months after allowing 200 channels to be monitored

‘It’s not too late to fix it’: web inventor Tim Berners-Lee says he is in a ‘battle for the soul’ of the internet

Founder of the world wide web says commercialisation means the net has been ‘optimised for nastiness’, but collaboration and compassion can prevail

Why Max Richter’s Hamnet needle-drop left me cold

In a new weekly column about the world of classical music, Tom Service bemoans Hollywood turning pieces into slop through overuse. Plus: Philip Glass withdraws his symphony from the Kennedy Center

UK media groups should be allowed to opt out of Google AI Overviews, CMA says

News organisations hope proposals will increase leverage to get paid if content is used in AI summaries

Amazon tells workers it will cut 16,000 jobs worldwide in second big wave of layoffs

Workers informed after message erroneously said affected employees in US, Canada and Costa Rica had already been told

Copyrighted art, mobile phones, Greenland: welcome to our age of shameless theft

The human impulse to steal has been accelerated by AI, inequality and our political leaders – with profound consequences, says Guardian columnist Jonathan Liew

Nouvelle Vague review – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

Rabbit Trap review – feral child lends eerie magic to Dev Patel fairy folk rock horror

The 70s musicians who choose to lay down some tracks in remote Welsh countryside may not really surprise, but one young local is startlingly memorable

Hitchcock’s The Lodger has been turned into a vertical microdrama. What’s next – Psycho on Snapchat?

A silent-era classic has been reframed for the vertical scroll of phone screens. Is this innovation, sacrilege, or just another way to repackage cinema history?

Strongroom review – tough locked-vault thriller is outstanding British 60s crime picture

A gang of bank robbers return to the scene of their crime to free the two employees they imprisoned in a vault in this suspenseful British thriller from 1962

TV tonight: Kirstie and Phil take on the battle of the bungalow

The property duo help homeowners decide what to do with their dated dwelling. Plus: more chaos in Black Ops. Here’s what to watch this evening

The Only Living Pickpocket in New York review – John Turturro steals this simple, charming tale

The actor plays a pickpocket who steals from the wrong person in a leisurely, straightforward crime thriller with a sting in its tail

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Exclusive: Emails reveal Palmer Luckey’s political fundraising as his company wins sole-source contracts
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Tech companies know everything about me – so why do they try to sell me so much rubbish?
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
  • Restaurants, pubs and theatres ban Meta’s ‘spy glasses’ over privacy fears
  • Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
  • Should I try the ‘18 summers’ parenting trend? Only if I want to ruin the school holidays
  • How to Feed a Dictator review – what was on the menu for some of the world’s most evil men
  • American witchhunt: how the McCarthy blacklist annihilated the Hollywood left
  • ‘Basically, you give yourself to the man’: Trewley Precious Temple on her life as a Gypsy wife – and beyond
  • ‘I’m not spying’: how Meta’s smartglasses have divided opinion
  • ‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
  • Big shake-up in Google’s AI team as DeepMind chief executive steps down
  • ‘Disturbing’: TikTok faces criticism after Perez Hilton livestreams self-harm
  • AI models have been going rogue in tests – how worried should we be?
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past
  • One Night Only review – sex is legal for 12 hours a year in bizarre romcom
  • AI models shock UK testers by using fake identities to try to trick developers
  • Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
  • Darth Vader to become a TikTok star as Disney strikes deal on short video
  • ‘Leicester Square, please guv’: Self-driving taxis cleared for London streets ‘later this summer’
  • Film posters for The Mummy banned from public display in UK
  • Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
  • A Child of My Own review – barely believable true crime tale of desperation and delusion
  • Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
  • Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
  • ‘If we don’t fight back, we don’t have a future’: the journalist taking on the ‘tech fascists’ of Silicon Valley
  • Paw Patrol: The Dino Movie review – plucky pups do their thing on Jurassic-style island
  • Democracy is at stake when foolish humans bet on machines being intelligent
  • Queens of the Dead review – drag performers slay on the party scene in playful zombie comedy

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