When I heard ‘Rachel’ answer the helpline number in her metallic voice, my soul felt as empty as the batteries of my malfunctioning car, says Adrian Chiles
Content creators claim they’ve escaped the 9 to 5, yet as Louis Theroux’s new show reveals, they are mere serfs to algorithms and audiences, says freelance journalist Elle Hunt
New wave of publishing fraud mimics lonely hearts swindles of old – swapping promises of true love for the fantasy of literary acclaim. And the wooing process is now fully automated
In the wake of discourse surrounding Teyana Taylor’s Perfidia Beverly Hills in One Battle After Another, a familiar debate has resurfaced about what happens when Black women play morally ambiguous characters on screen