Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

AI companies know they have an image problem. Will funding policy papers and thinktanks dig them out?

The aggressive effort by major players aims to reshape the narrative as polls show increasing public disapproval of AI

New documentary reveals boyband 98 Degrees had age-of-consent manual while touring in 90s

Label tried to keep band members out of trouble during first tour, Nick Lachey says in Boy Band Confidential

‘Too powerful for the public’: inside Anthropic’s bid to win the AI publicity war

The firm says it withheld an AI model on cybersecurity grounds but sceptics say this was hype to lure investment

‘Your photos will be deleted’: Apple users warned over ‘nasty’ iCloud storage scam

Fraudsters send emails claiming storage is full or nearly full, then trick people into clicking on links that can expose bank and personal details

Brian Cox: ‘We don’t know how powerful AI is going to become – it’s both exciting and potentially a problem’

The physicist, BBC presenter and author on snowflakes, art v science and the time Paul McCartney quizzed him about one of Saturn’s moons

‘It has your name on it, but I don’t think it’s you’: how AI is impersonating musicians on Spotify

Fraudulent music streams have long been a scourge for the industry, but experts say generative AI has supercharged it

‘Abhorrent’: the inside story of the Polymarket gamblers betting millions on war

A Guardian investigation reveals how the prediction market can shape news – and how it rules on ‘the truth’

Celebrity on celebrity: are we losing the art of the big star interview?

The biggest names in and out of Hollywood are choosing to be interviewed by their peers rather than journalists, leaving many more revealing questions on the table

Congratulations to the Artemis II crew – but the case for sending astronauts into space is rapidly shrinking

Soon, thanks to the advance of robots, the only reason left to send humans to the moon will be as an ultra-expensive sport, say astronomer royal Martin Rees and astrophysicist Donald Goldsmith

From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead

Halle Bailey and Regé-Jean Page star in a slinky new romcom, while the dissolute teens of the US drama are back in their 20s

‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard

Neill says ‘one of the most beautiful and remote places in the world’ will be permanently changed if Bendigo-Ophir wins fast-track approval

OpenAI CEO Sam Altman’s home targeted with molotov cocktail

Suspect arrested but not identified and has allegedly made similar threats to OpenAI’s San Francisco headquarters

Anthropic’s new AI tool has implications for us all – whether we can use it or not

Claude Mythos’s apparent superhuman hacking abilities are alarming experts as the Trump administration remains blinded by hostility

The Guardian view on dystopias for our times: the American nightmare

Editorial: Margaret Atwood’s The Testaments and the Oscar-winning film One Battle After Another are grim parables of today. But they are not without hope

‘Butter Birkin’: popcorn plastic It bag in demand by Devil Wears Prada fans

Coveted £20 accessory to be marketed as part of sequel’s ticket deal – and is already being touted for resale from £130

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘The greatest arms I’ve ever seen’: Matt Damon’s muscular female stunt double Devyn Dalton
  • What do you wish you could buy in vending machines?
  • Why we’re all obsessed with Jimothy the raccoon, the internet’s animal of the moment
  • Stock market turmoil sheds stark light on the opaque AI economy
  • From The Wizard of Oz to Trainspotting: 25 films to watch before you turn 25
  • UK’s state investments agency hit by data breach
  • The brief life and sudden death of Zyzz: why did the bodybuilding influencer die at just 22?
  • ‘More than just objects’: Australian booksellers raise alarm over ‘horrific’ destruction of rare titles to feed AI
  • Trump offering early access to online posts in move seen as corruption
  • China’s tech advances are causing chaos from Silicon Valley to the White House
  • Biohacker Bryan Johnson is keeping his girlfriend’s menstrual blood in his freezer
  • If you think kids will respect a robot teacher, you have never met a kid
  • The great British switch-off: how floating retreats, mobile-free pubs and sauna book groups are liberating people from their phones
  • In the battle of Elon Musk v the press, we can’t let truth be the loser
  • ‘We didn’t feel safe’: Booking.com users face battle to get money back
  • ‘A towering piece of monoculture’: how The Odyssey discourse has dominated this summer
  • From Spider-Man: Brand New Day to Ariana Grande: your complete entertainment guide to the week ahead
  • Mahershala Ali on Marvel’s collapsed Blade reboot: ‘If they wanted to do it, we would’ve done it’
  • $2m crime novel deal collapses amid questions over AI use
  • Glen Hansard obituary
  • The Birthday Trip review – excellent Australian black comedy piles pressure on to privilege
  • On tour with the Beastie Boys, Sonic Youth and Foo Fighters: raw music documentary captures Australia’s ‘best summer’
  • Hold the front page! Marilyn Monroe is Dakota Johnson’s ninth cousin three times removed
  • ‘Change is happening! I can cut off my hair and misbehave’: Vicky Krieps on rage, rebellion, and rejecting Hollywood
  • AI labels to be compulsory on authentic-looking content under EU rules
  • Release schedule: when to wee and when to wait during this summer’s biggest movies
  • Ryan Gosling is entering the Marvel Cinematic Universe – on a motorbike, in flames, wearing a leather jacket. What could go wrong?
  • McCarthyism has returned to the United States – and this time it’s even more dangerous
  • Heretic to Love Me: the seven best films to watch on TV this week
  • ‘I was born without self-esteem’: Hannah Einbinder on Hacks, her buzzy queer horror – and being Hollywood’s most outspoken star

Contact www.richardhartley.com   Terms of Use