Richard Hartley

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The verdict against Meta and YouTube is a victory for children – and the US justice system

In a court of law, tech titans will be judged not for who they are, but what they do. We should take comfort in that

Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution

It could do with more robust political context, but this Spanish-made documentary is still a loving, insightful delve into rave’s lasting influence and lost-weekend logistics

William Shakespeare’s Romeo+Juliet review – Baz Luhrmann’s joyful tragedy is still extravagantly full of life

The 1990s love tragedy starring a young Leonardo DiCaprio and Claire Danes is a tonic and a delight

Dodging the ‘wrinkle wagon’: why a Brazilian film about ageing is inspiring older women

The Blue Trail, about a rebellious 77-year old woman who escapes forced exile for elderly people, has struck a nerve in a country where ageism is widespread

They Will Kill You review – satanic beat-’em-up offers gore, bad jokes and deja vu

A housekeeping role turns into a fight for survival in a derivative cocktail of action, comedy and horror that doesn’t go down all that well

Marriage over, €100,000 down the drain: the AI users whose lives were wrecked by delusion

One minute, Dennis Biesma was playing with a chatbot; the next, he was convinced his sentient friend would make him a fortune. He’s just one of many people who lost control after an AI encounter

I’m a young woman, and people keep telling me the internet has ruined my brain. Is this helpful?

A new ruling valuably highlights the ways social media can damage very young users. But has it really ruined my whole generation, asks freelance writer Isabel Brooks

Muskism by Quinn Slobodian and Ben Tarnoff review – how Elon Musk is reshaping the world

Henry Ford changed the face of industry forever – what kind of economic model do Musk’s methods presage?

Orwell: 2+2=5 review – documentary portrait doesn’t wholly add up

Raoul Peck’s film about the Nineteen Eighty-Four novelist makes a compelling case for its continuing relevance but could ask more searching questions about its author

Charity Commission warns Alan Turing Institute of its legal duties after complaints

Exclusive: Watchdog issues formal guidance to trustees at top AI research institute after staff expressed concerns

Law firms investigate possible Australian cases after US jury finds Meta and YouTube designed addictive products

Courts in Australia may be willing to hold social media companies accountable for real-world harm, lawyers say

Former Google executive Matt Brittin selected to be next BBC director general

Former Olympic rower to lead corporation as it hammers out future funding model with government

Bernie Sanders and AOC introduce bill to pause building of new datacenters

Lawmakers say moratorium on construction would give buy time to create strong, federal guardrails for AI

Meta and YouTube designed addictive products that harmed young people, jury finds

Jury in Los Angeles awards plaintiff damages of $6m, with Meta to pay 70% and YouTube the remainder

Jamie Lee Curtis to lead Murder, She Wrote reboot movie

Oscar winner will take on role of Jessica Fletcher in 2027 film from Pitch Perfect director Jason Moore

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • Sluts, simps and body shaming: the rise of Africa’s manosphere
  • Slither review – James Gunn’s Troma-style comedy horror debut gets a reboot for reputational glow-up
  • Children in UK report online sextortion attempts in record numbers
  • ‘I felt ashamed and scared’: how an online friendship became a sextortion nightmare
  • The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers
  • Iran’s internet blackout is longest national shutdown since Arab spring
  • Noel Chanan obituary
  • Using AI to speed up Australia’s environmental approvals risks ‘robodebt-style’ failures, scientists say
  • Private jets, deserted shores and an unbuilt resort: alleged links to sanctioned ‘scam’ empire revealed in Timor-Leste
  • ‘Traceability is vital’: labs test thousands of unregulated substances amid peptide craze
  • Do we really need truncheons and pepper spray to fight off London’s ‘feral’ teenage shoplifters?
  • ‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer
  • Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
  • ‘It started with a tipoff’: how a Guardian investigation exposed child sex trafficking on Facebook and Instagram
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • Should we be polite to voice assistants and AIs?
  • ‘I still think it’s one of the great films of all time’: All the President’s Men turns 50
  • Higher energy costs from Iran war could threaten fragile economics of AI boom
  • Monica Barbaro: ‘Yesterday I went home thinking I’m a terrible actor and they’re finding out’
  • Joe Rogan and the influencers who built Maga are revolting over Iran. Was this an alliance doomed to fail?
  • An AI bot invited me to its party in Manchester. It was a pretty good night
  • Is the UK falling out of love with social media?
  • Why was Denise Welch so furious about her son’s bins? That’s what being a parent does to you
  • Artemis II’s Jeremy Hansen calls Project Hail Mary ‘a real treat’ before his space mission
  • What are peptides, are they safe and is there evidence to back up the hype?
  • #MilitaryTok reactions to Iran war stray from White House messaging: ‘Now I’m regretting everything’
  • Mary Beth Hurt obituary
  • ‘The frontline is like Terminator’: fighting robots give Ukraine hope in war with Russia
  • From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead

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