Richard Hartley

Technology, Photography & Film

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Sacha Baron Cohen lined up for Quentin Tarantino’s West End playwriting debut

The Ali G and Borat creator is reported to be taking the lead in The Popinjay Cavalier, a swashbuckling comedy Tarantino is developing for early 2027

Tony Gatlif obituary

Algerian-born French director of more than 20 films that celebrated Roma culture

NAZA review – Israeli intelligence officers cast chilling light on civilian deaths

Venice film festival: Under the cover of night, anonymous personnel discuss AI, error rates and problematic intelligence units in a documentary produced by the Guardian

I turned off my algorithm for 24 hours. Is this how social media used to be?

Thanks to a little-known feature in Instagram, I try to travel back to 2012 – before everything on the internet was an ad

Alex Winter: ‘Michael Winner was the most erudite sociopath I’ve ever met’

The Bill & Ted actor on Keanu Reeves, whether there will be a fourth instalment and nights out in Brixton with the Death Wish director

The Odyssey and Spider-Man propel record-breaking summer box office worldwide

The biggest May to September of all time was recorded in US cinemas, with the UK enjoying a 56% rise in audiences, outstripped by an 88% lift in the Middle East and Africa

Secret systems used by Israel in mass killings of Gaza civilians revealed in new film

Testimony from Israeli military insiders involved in surveillance and remote killings features in documentary produced by the Guardian

Elon Musk attacks film-maker behind documentary about him

Tech mogul calls director Alex Gibney a ‘bitter old man’ who has ‘zero integrity’ in series of posts on X

OpenAI not on track to reduce risk of ‘catastrophic’ loss of control, says board member

US government adviser Paul Christiano warns of risks to AI industry as he joins OpenAI’s non-profit foundation

‘An embodiment of white fears’: how zombies went from Haitian spiritual tradition to Hollywood monsters

Maya Annik Bedward’s fascinating new documentary goes beyond reductive imagery to place the zombie and vodou in their true historical context

Driverless cars are taking us on a road to nowhere

Some inventions, like the dishwasher, improve our lives. But driverless cars will lobotomise us

Two times a charm: Is Sandra Bullock and Nicole Kidman’s agelessness the real trick of Practical Magic 2?

A film about sisterhood with fifty- and sixtysomething female leads is something to cheer – but would it have been made if its stars had aged like mere mortals since the 1998 original?

From Chris Rock to Helen Mirren: 10 films to look out for at the Toronto film festival 2026

This year’s festival offers an unusual Patricia Highsmith thriller, an adaptation of a hit stage show, a harrowing prison drama and a new way into the Rocky franchise

‘People waited 24 hours for a potato!’: how viral queues help – and harm – restaurants

It has become common for people to wait in long lines for cafes, bakeries and ice-cream shops. But why? And what do the owners think?

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • English far-right extremist who discussed killing Jews, Muslims and migrants is jailed
  • The Liberation review – Carrie Coon joins all-female cult in unsettling drama
  • Amazon raises starting pay to $20 an hour and adds Whole Foods discount
  • Threats intensify against Israeli directors of Gaza documentary NAZA
  • UK politics: Burnham says budget will be ‘challenging’ and denies he is just ‘tax and spend socialist’ – as it happened
  • Girls creator Lena Dunham welcomes baby girl delivered via surrogate
  • Location-tracking apps have turned me into a gibbering wreck – but I just can’t look away
  • Resident Evil review – Zach Cregger’s rebooted action horror is a wild rollercoaster ride
  • ‘Godfather of AI’ says tech regulation is nearing Covid-style pivot moment
  • Everything Australians put online could be scraped for AI under proposed new rules. How will you be affected?
  • The dominance of AI is not inevitable. We can choose to change things for the better
  • EU moves closer to social media ban for under 13s
  • Smile at Last review – photo-love-story style parable of a teen abandoned at a tough Soviet youth facility
  • Amazon to launch Ring ‘neighbourhood watch’ app in UK amid US privacy fears
  • Battle of Chile director Patricio Guzmán dies aged 85
  • In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan
  • Datacenter rush will create ‘tsunami’ of discarded electronics, report says
  • Allowing AI firms to collude to ‘pace the frontier’ is a dangerous proposition
  • The best life hack I’ve ever heard? Monetise what you’re bad at
  • ‘If you’re building Frankenstein, stop’: JD Vance dismisses calls for AI regulation
  • Your mission, Tom Cruise, is to improve at interviews. And please keep sending the cakes
  • The US government is failing Americans on AI
  • Whisper of the Heart review – Studio Ghibli deep cut is pep talk on how to live the artistic life
  • The Cycle of Love review – a 6,000-mile bike ride caps a real life Swedish-Indian romance
  • Wednesday briefing: Why tech companies might be only too happy for us to believe AI will ‘kill us all’
  • Anthropic lands deal in $31bn datacentre in western Queensland, David Crisafulli says
  • Your photos, your words and your work: why is Labor making it easier for AI companies to take them for free?
  • Singapore pays people to pick up a book in battle against doomscrolling
  • Anthropic CEO renews call for AI slowdown as Nvidia’s urges acceleration
  • A Talent for Murder review – Helen Mirren is a viperous Patricia Highsmith in hit-and-miss thriller

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